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" But music for the time doth change his nature : The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as... "
Dictionary of Shakespearian Quotations: Exhibiting the Most Forcible ... - Strona 249
autor: William Shakespeare - 1853 - Liczba stron: 418
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Human Physiology: For the Use of Elementary Schools

Charles Alfred Lee - 1843 - Liczba stron: 336
...Shakspeare thus describes a person destitute of musical taste. " The man that hath no music in his soul, Nor is not moved with concord of sweet sounds, Is...affections dark as Erebus ; Let no such man be trusted." Questions. — What are sounds ? Describe the external ear ; — the tube of the external ear ; —...
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Merchant of Venice

William Shakespeare - 1843 - Liczba stron: 77
...change his nature. The man that hath no music in himself, Nor is notmov'd with concord of sweet sounds, Is fit for treasons , stratagems, and spoils: The...affections dark as Erebus. Let no such man be trusted. — Mark the music. Enter PORTIA and NEFUSSA , at a distance. Par. That light we see is burning in...
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The Southern literary messenger, Tom 9

1843
...his nature: The man that h:i'h no Music in himself. Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems and spoils ; The motions...affections dark as Erebus : Let no such man be trusted." Our second remark under this head relates to the influence of Music on the human mleUttl. All good...
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Knight's Cabinet edition of the works of William Shakspere, Tom 2

William Shakespeare - 1843
...his nature ; The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The...affections dark as Erebus : Let no such man be trusted. — Mark the music. Enter PORTIA and NERISSA at a distance. Por. That light we see is burning in my...
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Calcutta Review, Tomy 15-16

1851
[ Niestety, treść tej strony jest ograniczona ]
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The Plays and Poems of Shakespeare,: According to the Improved Text ..., Tom 3

William Shakespeare - 1844
...stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of...affections dark as Erebus : Let no such man be trusted. — Mark the music. Enter PORTIA and NEBISSA, at a distance. Par. That light we see is burning in my...
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Midsummer-night's dream. Love's labor's lost. Merchant of Venice. As y@u ...

William Shakespeare - 1844
...stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of...affections dark as Erebus. Let no such man be trusted. — Mark the music. Enter PORTIA and NERISSA at a distance. For. That light we see is burning in my...
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Sydney and Melbourne: With Remarks on the Present State and Future Prospects ...

Charles John Baker - 1845 - Liczba stron: 237
...respond. " Nought so stockist, hard, and full of rage, But music for the time doth change his nature. The man that hath not music in himself, Nor is not...And his affections dark as Erebus : Let no such man he trusted." But music to be agreeable must be offered when there exists a desire for it, not at all...
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Studies in English poetry [an anthology] with biogr. sketches and notes by J ...

Joseph Payne - 1845
...stockish, hard, and full of rage, But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of...affections dark as Erebus : Let no such man be trusted. IMAGINATION.4 LOVEBS and madmen have such seething5 brains, Such shaping fantasies, that apprehend...
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Sketches of Moral and Mental Philosophy: Their Connection with Each Other ...

Thomas Chalmers - 1845 - Liczba stron: 420
...the term to our desires of evil towards others in the following passage:— " The man that hath no music in himself Nor is not moved with concord of...affections dark as Erebus, Let no such man be trusted.' 1 Affection is often used in a very general sense indeed, so as to denote quality or property—so...
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