An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1830 - 300 |
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Strona 71
... short , is risible ; to want it is horrible . Hence nothing just , proper , decent , beautiful , proportioned or grand , is Iisible . The laugh of derision or of scorn , is occasioned by improper acts replete with blunders and ...
... short , is risible ; to want it is horrible . Hence nothing just , proper , decent , beautiful , proportioned or grand , is Iisible . The laugh of derision or of scorn , is occasioned by improper acts replete with blunders and ...
Strona 125
... short or fast : for these make an impression of hurry and precipitation : Emotions , on the other hand , that rest upon their objects , are best expressed by words where syllables prevail that are pronounced long or slow . A person ...
... short or fast : for these make an impression of hurry and precipitation : Emotions , on the other hand , that rest upon their objects , are best expressed by words where syllables prevail that are pronounced long or slow . A person ...
Strona 145
... short and sharp , like the shrill swallow's cry . ODYSSEY , xxi . 449 . On this principle , falling timber is said to crash , and wind to whistle ; thus , causes that have no resemblance , may produce resembling effects ; and by a ...
... short and sharp , like the shrill swallow's cry . ODYSSEY , xxi . 449 . On this principle , falling timber is said to crash , and wind to whistle ; thus , causes that have no resemblance , may produce resembling effects ; and by a ...
Strona 146
... short , or a short syllable made long , raises , by the difficulty of pronouncing contrary to custom , a feeling similar to that of hard labor : When Ajax strives some rock's vast weight to throw , The line too labors , and the words ...
... short , or a short syllable made long , raises , by the difficulty of pronouncing contrary to custom , a feeling similar to that of hard labor : When Ajax strives some rock's vast weight to throw , The line too labors , and the words ...
Strona 148
... of the first kind is variable , being long or short , frequent or less frequent , as the sense requires . A pause of the second kind , being deter- mined by the melody , is not arbitrary . The 148 ELEMENTS OF CRITICISM .
... of the first kind is variable , being long or short , frequent or less frequent , as the sense requires . A pause of the second kind , being deter- mined by the melody , is not arbitrary . The 148 ELEMENTS OF CRITICISM .
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY VI.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light Macbeth manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers