An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 33
... rule more simple and direct for as- certaining the agreeableness or disagreeableness of a passion as opposed to an ... rules by the wisdom of providence coincide : a passion that is conformable to our common nature must tend to good ...
... rule more simple and direct for as- certaining the agreeableness or disagreeableness of a passion as opposed to an ... rules by the wisdom of providence coincide : a passion that is conformable to our common nature must tend to good ...
Strona 35
... rule for the agreeableness or disagreeable- ness of emotions and passions ? How is the rule applied ? From what is another rule derived ? How is this applied ? How is the spectator of a passion in another person affected ? Give examples ...
... rule for the agreeableness or disagreeable- ness of emotions and passions ? How is the rule applied ? From what is another rule derived ? How is this applied ? How is the spectator of a passion in another person affected ? Give examples ...
Strona 45
... rule in painting , that the drapery ought not to adhere to the body , but hang loose , that the figures may appear easy and free in their movements . The constrained posture of a French dancing - master in one of Hogarth's pieces , is ...
... rule in painting , that the drapery ought not to adhere to the body , but hang loose , that the figures may appear easy and free in their movements . The constrained posture of a French dancing - master in one of Hogarth's pieces , is ...
Strona 56
... rule , that in works of art , order and regularity ought to be governing principles : and hence the ob- servation of Longinus : " In works of art , we have re- gard to exact proportion ; in those of nature , to gran- deur and ...
... rule , that in works of art , order and regularity ought to be governing principles : and hence the ob- servation of Longinus : " In works of art , we have re- gard to exact proportion ; in those of nature , to gran- deur and ...
Strona 60
... rule for reaching the sublime in such works of art as are capable of it , is , to present those parts or circumstances only which make the greatest figure , keeping out of view every thing low or trivial ; for the mind , elevated by an ...
... rule for reaching the sublime in such works of art as are capable of it , is , to present those parts or circumstances only which make the greatest figure , keeping out of view every thing low or trivial ; for the mind , elevated by an ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers