King Lear: The 1608 Quarto and 1623 Folio TextsPenguin, 1 lut 2000 - 320 The acclaimed Pelican Shakespeare series, now in a dazzling new series design Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Gold Medal Winner of the 3x3 Illustration Annual No. 14 This edition of King Lear presents a conflated text, combining the 1608 Quarto and 1623 Folio Texts, edited with an introduction by series editor Stephen Orgel and was recently repackaged with cover art by Manuja Waldia. Waldia received a Gold Medal from the Society of Illustrators for the Pelican Shakespeare series. The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... dost think I have cast off forever; thou shalt, I warrant thee. [Exit Lear.] GONERIL Do you mark that, my lord? ALBANY I cannot be so partial, Goneril, To the great love I bear you – GONERIL Come, sir, no more. [To Fool] You, more knave ...
... dost think I have cast off forever; thou shalt, I warrant thee. [Exit Lear.] GONERIL Do you mark that, my lord? ALBANY I cannot be so partial, Goneril, To the great love I bear you – GONERIL Come, sir, no more. [To Fool] You, more knave ...
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... to discover him. He replied, “Thou unpossessing bastard, dost thou think If I would stand against thee, could the reposure 44 45 47 48 49 50 51 52 53 54 57 58 60 61 64 65 66 67 Of any trust, virtue, or worth in thee Make thy.
... to discover him. He replied, “Thou unpossessing bastard, dost thou think If I would stand against thee, could the reposure 44 45 47 48 49 50 51 52 53 54 57 58 60 61 64 65 66 67 Of any trust, virtue, or worth in thee Make thy.
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... dost, my lord? GLOUCESTER Madam, my old heart is cracked, is cracked. REGAN What, did my father's godson seek your life? He whom my father named, your Edgar? GLOUCESTER 69 70 71 72 73 75 76 77 79 80 84 86 90 Ay, lady, lady, shame would ...
... dost, my lord? GLOUCESTER Madam, my old heart is cracked, is cracked. REGAN What, did my father's godson seek your life? He whom my father named, your Edgar? GLOUCESTER 69 70 71 72 73 75 76 77 79 80 84 86 90 Ay, lady, lady, shame would ...
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... dost thou use me thus? I know thee not. KENT Fellow, I know thee. OSWALD What dost thou know me for? KENT A knave, a rascal, an eater of broken meats, a base, proud, shallow, beggarly, three-suited, hundredpound, filthy worsted-stocking ...
... dost thou use me thus? I know thee not. KENT Fellow, I know thee. OSWALD What dost thou know me for? KENT A knave, a rascal, an eater of broken meats, a base, proud, shallow, beggarly, three-suited, hundredpound, filthy worsted-stocking ...
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... dost thou call him knave? What's his offense? KENT His countenance likes me not. CORNWALL No more perchance does mine, or his, or hers. KENT Sir, 'tis my occupation to be plain: I have seen better faces in my time Than stands on any ...
... dost thou call him knave? What's his offense? KENT His countenance likes me not. CORNWALL No more perchance does mine, or his, or hers. KENT Sir, 'tis my occupation to be plain: I have seen better faces in my time Than stands on any ...
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ALBANY answer appear Bastard bear bring brother Burgundy comes Cordelia CORNWALL course daughter dear death disguised dost draw duke EDGAR EDMUND Enter Exeunt Exit eyes father fear fire folio follow FOOL fortune France GENTLEMAN give GLOUCESTER Gloucester’s gods gone GONERIL grace hand hast hath head hear heart heavens hold honor horse I’ll keep KENT kind king knave lady late LEAR less letter live look lord madam master means nature never night noble nuncle OSWALD performances plain play poor pray quarto reason REGAN seek Servants Shakespeare sister sound speak speech stage stand stocks sword tell texts theater thee There’s thine thing thou thou art thought traitor true turn villain wind wits