Begin Again: A Biography of John CageKnopf Doubleday Publishing Group, 19 paź 2010 - 496 John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. We follow Cage from his Los Angeles childhood—his father was a successful inventor—through his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of creativity in him and, after his return to the States, into his studies with the seminal modern composer Arnold Schoenberg. We see Cage’s early experiments with sound and percussion instruments, and watch as he develops his signature work with prepared piano, radio static, random noise, and silence. We learn of his many friendships over the years with other composers, artists, philosophers, and writers; of his early marriage and several lovers, both female and male; and of his long relationship with choreographer Merce Cunningham, with whom he would collaborate on radically unusual dances that continue to influence the worlds of both music and dance. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. |
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Strona 38
... concert at Mills College ten months later , he had assembled about 150 instru- ments . In addition to several each of every variety of whistle , gong , drum , and beater , he then owned such unusual musical noisemakers as sistrum ...
... concert at Mills College ten months later , he had assembled about 150 instru- ments . In addition to several each of every variety of whistle , gong , drum , and beater , he then owned such unusual musical noisemakers as sistrum ...
Strona 39
... concert on July 18 brought together his new music and new instruments . The works were performed by a group of seventeen players , including Cage him- self , Xenia , Lou Harrison , William Russell ( " not a very good player , " Cage ...
... concert on July 18 brought together his new music and new instruments . The works were performed by a group of seventeen players , including Cage him- self , Xenia , Lou Harrison , William Russell ( " not a very good player , " Cage ...
Strona 42
... concerts , notably one with Lou Harrison on May 14 , 1941 - Harrison's twenty - fourth birthday . For the event they ... concert had a bruising aftereffect . He and Harrison recorded Simfony # 13 and sold the platters for a dollar each ...
... concerts , notably one with Lou Harrison on May 14 , 1941 - Harrison's twenty - fourth birthday . For the event they ... concert had a bruising aftereffect . He and Harrison recorded Simfony # 13 and sold the platters for a dollar each ...
Strona 45
... concerts . Early in 1942 he started rounding up performers and assembling thunder sheets and flowerpots : " the cycle ... concert entitled " Music for Percussion Orchestra . " The ten performers , including Xenia , premiered works by ...
... concerts . Early in 1942 he started rounding up performers and assembling thunder sheets and flowerpots : " the cycle ... concert entitled " Music for Percussion Orchestra . " The ten performers , including Xenia , premiered works by ...
Strona 46
... concert again brought Cage national attention . The New York World - Telegram ran the head- line " They Break Beer Bottles Now to Make Music in Chicago , " with a six - panel cartoon spoofing the concert . The American Magazine told ...
... concert again brought Cage national attention . The New York World - Telegram ran the head- line " They Break Beer Bottles Now to Make Music in Chicago , " with a six - panel cartoon spoofing the concert . The American Magazine told ...
Spis treści
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26 | |
51 | |
MUSIC OF CHANGES | 79 |
THE TEN THOUSAND THINGS | 121 |
INDETERMINACY | 152 |
FRACTURES | 182 |
HPSCHD | 210 |
EMPTY WORDS | 244 |
APARTMENT HOUSE | 275 |
CHANGES AND DISAPPEARANCES | 302 |
TIME BRACKETS | 324 |
EUROPERAS | 351 |
ANARCHIC HARMONY | 382 |
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American Arnold Schoenberg artists asked audience birthday Black Mountain Boulez Cage began Cage felt Cage found Cage Trust Archives Cage wrote Cage's Cage's music called Carolyn Brown Center chess Ching Christian Wolff College composition concert Cornish dance dancers David Tudor dollars Duchamp electronic essay Etudes Europeras festival Fluxus Fuller gave Getty hear Henry Cowell ideas Illus instruments Jasper Johns JC to Peter John Cage Kostelanetz later lecture letters Library living Lou Harrison M. C. Richards McLuhan Merce Cunningham mesostic months Morton Feldman moved Museum mushrooms musicians opera orchestra Paik painting percussion performance Peter Yates pianist piano piece played Press radio recalled recorded Robert Rauschenberg Satie School score sent silence solo Sonatas sonic sound string studied tape Teeny theater Thoreau thought tion told tour UCSD undated but beginning University Virgil Thomson visited Weiss Wesleyan writing Xenia York