An Abridgment of Elements of CriticismRaynor, 1848 - 300 |
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Strona 9
... arts : a just relish for what is beautiful , proper , elegant , and ornamental , in writing or painting , in archi ... arts ; but only in general to exhibit their fundamental principles , drawn from human nature , the true source of ...
... arts : a just relish for what is beautiful , proper , elegant , and ornamental , in writing or painting , in archi ... arts ; but only in general to exhibit their fundamental principles , drawn from human nature , the true source of ...
Strona 10
... arts : but in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here attempted , so far as necessary for unfolding the ...
... arts : but in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here attempted , so far as necessary for unfolding the ...
Strona 14
... art conformable to the natural course of our ideas is so far agreeable ; every work of art that reverses that order is so far disagreeable . In every such work , orderly arrangement and mutual connexion are requisite . As these prevail ...
... art conformable to the natural course of our ideas is so far agreeable ; every work of art that reverses that order is so far disagreeable . In every such work , orderly arrangement and mutual connexion are requisite . As these prevail ...
Strona 15
... ? Give examples of the influence of order on the mind ? What works of art are agreeable , and what are disagreeable ? What are requisite in every such work ? Give examples of the violation of this rule ? What ASSOCIATION OF IDEAS . 15.
... ? Give examples of the influence of order on the mind ? What works of art are agreeable , and what are disagreeable ? What are requisite in every such work ? Give examples of the violation of this rule ? What ASSOCIATION OF IDEAS . 15.
Strona 16
... arts have to raise emotions and passions . To those who desire to excel in the fine arts , that branch of knowledge is indispensable : without it criti- cism is abandoned to chance . The principles of the fine arts open a direct avenue ...
... arts have to raise emotions and passions . To those who desire to excel in the fine arts , that branch of knowledge is indispensable : without it criti- cism is abandoned to chance . The principles of the fine arts open a direct avenue ...
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accent action agreeable allegory appear arts beauty blank verse burlesque Cæsar cause circumstances comparison congruity connexion couplet dignity disagreeable distinguished doth effect elevated emotion produced emotions and passions emotions raised epic poetry expression external Falstaff feeling figure of speech FINGAL garden Give an example Give examples grace grandeur grief hath heaven Hence HENRY IV.-ACT HUDIBRAS ILIAD imagination imitation impression inanimate Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty o'er object observed ornament Ossian Othello painful PARADISE LOST pause person personification pleasure poem principle proper reason relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule SECOND PART HENRY sense sensible sentiments Shakspeare simile sion soliloquies sonification sort sound species spectator sublime syllables taste termed thee things thou thought tion tragedy variety verse words writers