Begin Again: A Biography of John CageKnopf Doubleday Publishing Group, 19 paź 2010 - 496 John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. We follow Cage from his Los Angeles childhood—his father was a successful inventor—through his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of creativity in him and, after his return to the States, into his studies with the seminal modern composer Arnold Schoenberg. We see Cage’s early experiments with sound and percussion instruments, and watch as he develops his signature work with prepared piano, radio static, random noise, and silence. We learn of his many friendships over the years with other composers, artists, philosophers, and writers; of his early marriage and several lovers, both female and male; and of his long relationship with choreographer Merce Cunningham, with whom he would collaborate on radically unusual dances that continue to influence the worlds of both music and dance. Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century. |
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Strona 16
... Schoenberg wanted . Schoenberg allowed him to enter a class in musical analysis at his Hollywood home - twenty - five students study- ing eighteenth- and nineteenth - century music , as well as Schoenberg's own Third String Quartet ...
... Schoenberg wanted . Schoenberg allowed him to enter a class in musical analysis at his Hollywood home - twenty - five students study- ing eighteenth- and nineteenth - century music , as well as Schoenberg's own Third String Quartet ...
Strona 17
... Schoenberg of autocracy and sensitivity , and because Cage felt that he had been a docile student . Schoenberg asked many questions , particularly about his work with Weiss . Cage believed that the questions exposed his ignorance ...
... Schoenberg of autocracy and sensitivity , and because Cage felt that he had been a docile student . Schoenberg asked many questions , particularly about his work with Weiss . Cage believed that the questions exposed his ignorance ...
Strona 18
... Schoenberg , helping Henry Cowell , he was also carrying on two intense , incompatible love affairs . The first involved a woman named Pauline Schindler . They had met early in 1934 , months before he left for New York . His attraction ...
... Schoenberg , helping Henry Cowell , he was also carrying on two intense , incompatible love affairs . The first involved a woman named Pauline Schindler . They had met early in 1934 , months before he left for New York . His attraction ...
Strona 23
... Schoenberg ; Galka Scheyer ; Oskar Fischinger While pursuing Xenia and Pauline , Cage had continued his studies with Schoenberg . The 1936 Los Angeles city directory identified him , for the first time , as " musician . " But his work ...
... Schoenberg ; Galka Scheyer ; Oskar Fischinger While pursuing Xenia and Pauline , Cage had continued his studies with Schoenberg . The 1936 Los Angeles city directory identified him , for the first time , as " musician . " But his work ...
Strona 24
... Schoenberg when hearing him announce one day to the class : " My goal , the goal of my teaching , is to make it impossible for you to write music . " Schoenberg cannily made it a practice to discourage stu- dents who needed ...
... Schoenberg when hearing him announce one day to the class : " My goal , the goal of my teaching , is to make it impossible for you to write music . " Schoenberg cannily made it a practice to discourage stu- dents who needed ...
Spis treści
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26 | |
51 | |
MUSIC OF CHANGES | 79 |
THE TEN THOUSAND THINGS | 121 |
INDETERMINACY | 152 |
FRACTURES | 182 |
HPSCHD | 210 |
EMPTY WORDS | 244 |
APARTMENT HOUSE | 275 |
CHANGES AND DISAPPEARANCES | 302 |
TIME BRACKETS | 324 |
EUROPERAS | 351 |
ANARCHIC HARMONY | 382 |
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American Arnold Schoenberg artists asked audience birthday Black Mountain Boulez Cage began Cage felt Cage found Cage Trust Archives Cage wrote Cage's Cage's music called Carolyn Brown Center chess Ching Christian Wolff College composition concert Cornish dance dancers David Tudor dollars Duchamp electronic essay Etudes Europeras festival Fluxus Fuller gave Getty hear Henry Cowell ideas Illus instruments Jasper Johns JC to Peter John Cage Kostelanetz later lecture letters Library living Lou Harrison M. C. Richards McLuhan Merce Cunningham mesostic months Morton Feldman moved Museum mushrooms musicians opera orchestra Paik painting percussion performance Peter Yates pianist piano piece played Press radio recalled recorded Robert Rauschenberg Satie School score sent silence solo Sonatas sonic sound string studied tape Teeny theater Thoreau thought tion told tour UCSD undated but beginning University Virgil Thomson visited Weiss Wesleyan writing Xenia York