HYMEN. HYMEN. This shining empress to array, When you present her all your train of Lores, Your chariot, and your murmuring doves, Tell her she wants one charm to makť the rest more Chorus, by Hymnen's attendants. gay, Behold the marriage deity! Then, smiling, to th' harmonious beauty say: AIR. To a lovely face and air, Let a tender heart be join'd. Love can make you doubly fair; Music's sweeter when you 're bind. To a lovely face and air, Let a tender heart be join'd. CUPID A FRAGMEVT. IN every age, to brighter honours born, Which loveliest nymphs and wectest bards adorn, Beauty and Wit each other's and require, And poets sing what once the fair inspire; The fair for ever thus her charms prolong, And live rewarded in the tuneful song. Thus Sacharissa shines in Waller's lays, And sie, who rais'd his genius, shares his praise. Then let us join hands and unite. Each does in eachi a mutual life infuse, CLAUDIANUS. HYMEN A CAVTATA. SET BY MR. GALLIARD. RECITATIVE. IN EPITHALAMIO HONORII ET MARIÆ. TRANSLATED, Vexus! thy throne of beauty now resign! Behold on Earth a conquering fair, Who more deserves Love's crown to wear! Has deeply grav'd it in my heart; Who sings it to his lyre, And does this maid inspire AIR. RECITATIVE. Venus coming to a nuptial ceremony, and enter ing the room, sees the bride and her mother makes the following description. A CANTATA. SET BY MR. PEPUSCH. AIR. AN ODE IN PRAISE OF MUSIC Hora Foolish Love! 1 scon) thy darts, umnanly hearts. Shall a woman, prond and coy, Make me languish for a toy? Foolish Love! I scorn thy darts, And all thy little wanton arts, To captivate upmanly hearts. RECITATIVE. Thus Strephon mock'd the power of Love, and swore His freedom he would still maintain, Or slavisily adore. (Begin with a chorus.) And the drum's thundering noise, See, see! How swift its raptures fly, Proceed, sweet charmer of the ear! The moving lyre, Joys to flatter dull Despair, AIR. Love, I feel thy power divine, CHORUS. THE SOLDIER IN LOVE. A CANTATA. SET WITH SYMPHONIES BY MR. PEPUSCH. AIR. Wy, too amorous hero! why Dext thou the war forego, Ai Celia's feet to lie, And sighing tell thy woe? Can you think that speaking air Fit to move th' unpitying fair? She laughs to see thice trifle so. Why, too amorous hero! why Dost thou the war forego, At Celia's feet to lie, And sighing tell thy woe? Melting airs, soft joys inspire: Joys to tlatter dull Despair, And now Hark! how the treble and base In winding labyrinths of harmony: RECITATIVE. CHORUS In winding labyrinths of harmony, Through all the travers'd scale they flv: By turns they rise and fall, by turns we live and die Ye sons of Art, once more renew your strains; In loftier verse, and loftier lays, Your voices raise, To Music's praise ! On wings of tiaming cherubs rode, O Worll, thy measurd bounil.” · Milton RECITATIVE. AIR. AIR. Dlean while a thousand harps were play'd ou high; The river's ochoing banks with pleasure did prolong The sweetly-warbled sounds, and murmur'd with the * And now arise, ye Earth, and Seas, and Sky!” Daphne fled swifter, in despair, (songs A thousand voices made reply, To 'scape the god's embrace: And to the genius of the place She sigh'd this wondrous prayer: Father Peneus, hear me, aid me! Let some sudden change invade me; Fix me rooted on thy shore. Cease, Apollo, to persuade me; I am Daphne now no more. Father Peneus, hear me, aid me! Let some sudden change invade me A tast Creation stood display'd, Fix me rooted on the shore. RECITATIVE. Apollo wondering stood to see The nymph transform'd into a tree. Divinest art, whose fame shall never cease! Vain were his lyre, his voice, his tuneful art, Thy honour'd voice proclaim'd the Saviour's birth; His passion, and his race divine; When Heaven vouchsaf'd to treat with Earth, Nor could th' eternal beams, that round his temples Music was herald of the peace: Melt the cold virgin's frozen heart. (shine, Thy voice could best the joyful tidlings tell; Immortal Mercy! boundless Love! Nature alone can love inspire; Art is vain to inove desire. If Nature once the fair incline, To their own passion they resign. When Music must again its charms employ; Nature alone can love inspire; Art is vain to move desire. The numerous nations straight A THOUGHT IN A GARDEN. WRITTEN IN THE YEAR 1704. Delightful mansion! blest retreat! Proud Architecture shall in ruins lie, Where all is silent, all is sweet! And Painting fade and die, Here Contemplation prunes her wings, Nay Earth, and Heaven itself, in wasteful fire decay. The raptur'd Muse more tuneful sings, Music alone, and Poesy, While May leads on the cheerful hours, And opens a new world of flowers. Gay Pleasure here all dresses wears, And in a thousand shapes appears. And praise and sing, and sing and praise, Pursu'd by Fancy, how she roves Through airy walks, and museful groves; In this elysiun while I stray, And Nature's fairest face survey, Farth seems new-born, and life more bright; Time steals away, and smooths his night; And Thought's bewilder'd in delight. Where are the crowds I saw of late? What are those tales of Europe's fate? Of Anjou, and the Spanish crown ; Along the winding shore of Peneus flew, And leagues to pull usurpers down? Of inarching armies, distant wars; ; Anak'd his lyre, and softly breath'd his amorous Or some romance, read lately o'er; Like Homer's antiqne tale of Troy, Fairest mortal! stay and hear; And powers confederate to destroy Cannot Love, with Music join'd, Priam's proud house, the Dardan name, With him that stole the ravish'd dame, Durst the whole world to arms excite. Come, gentle Sleep, my eye-lids close, Touch thy unrelenting mind? These dull impressions help me lose ; AIR. For ti AIR. RECITATIVE. AIR. Let Fancy take her wing, and find But, cruel goddess ! when I find Som better dreams to sooth my mind; Diana's coldness in your mind, O, waking lei mo learn to live; How can I bear that fix'd disdain ? The girns het will lastruction give. My pleasure dies, and I but live in pain 1.23.ba us Thymes does glide Serene. wils a iritsui tiut, Fr rute extremes of ebb and tow, Tyrant Cupid! when, relenting, -11d too high, nor sunk too low: Will you touch the charmer's heart? Suci my lite's smooth curreni be, Sooth her breast to soft consenting, T!!! from Time's narrow shore set free, Or remove from mine the dart ! It ringle with th' (ternal sea; Tyrant Cupid! when, relenting, And, there enlarg'?', shall be no more Will you touch the charmer's heart? That tritling thing it was before. But see! while to my passion voice I give, Th’applauded beauty, doubly bright, And looks as she would let me live; And yet she chides, but with so sweet an air, Janus! great leader of the rolling year, That while she love denies, she yet forbids despair Since all that's past no vows can e'er restore, But joys and griefs alike, once hurry'd o'er, No longer nou deserve a smile or tear; Fear not, doubting fair! t approve me i Close the fantastie scenes-but grace Can you love me? With brightest aspects thy foreface, Froun not, if you answer no; While Time's new oilspring hastens to appear. If you answer, frown not, no, With lucky omens guide the coming Hours, When again I ask, pursuing, Cominand the circling Seasons to advance, If you'll stay and see my ruin? And forin their renovated dance, Fly--but let me with you go! With flowing pleasures fraught, and bless'd by Blush not, doubting fair! t approve mci friendly powers. Can you love me? Smile, and every fear forego! AN ODE FOR VOCAL AND INSTRUMENTAL MUSIC, Which Folly cannot shun, nor wise Redection cure. TO THE MEMORY OF THE MOST NOBLE But oh!--more anxious for the year to come, I woulil foreknow my future doom, WILLIAM DUKE OF DEVONSHIRE, Then tell me, Janus, canst thou spy Events that yet in enabryo lie For me, in Time's mysterious womb? SET TO MUSIC BY MR. PEPUSCH, A thousand accidents severe; [Overture of soft Music] To fimsh me in woes, and crush me down with Fate. BRITANNIA, RECITATIVE, Ye generous Arts and Muses, join; Thow, If she inust with a less propitious look While down your cheeks the streaming sorrows Forbid my humble sacritice, Let murmuring strings with the soft voice combine Or blast me with a killing frown; T” express the melody of Woe. And thou, Augusta! rise and wait, With decent honours, on the great ; Condole my loss, and weep Devonia's fate, Queen of cities! leare awhile Thy beautcous sinile, Turn to tender grief thy joy. From thy shore of Thames replying, Gentlest Echoes, fainting, dying, Shall their sorrow too employ. Queen of cities! leave awhile And all the Venus in your face, Thy beauteous smile, I'm tilld with pleasure and surprise: Turn to tender grief thy jor, ANNO MDCCVII. AIR. WITII FLUTES. AIR. RECITATIVE. AUGUSTA. And, hated by all tyrants, chose The glory to have such his foes.” AUGUSTA. RECITATIVE. Genius of Britain! give thy sorrows o'er : A grateful tribute thou hast paid To thy Devonia's noble shade; Now vainly weep the dead no more! For see-the duke and patriot still survives, And in his great successor lives. BRITANNIA. I own the new-arising light, I see paternal grandeur shine, Descending through th' illustrions line, Lands remote, &c. In the same royal favours bright. LAST DUETTO, WITH ALL THE INSTRUMENTS. BRIT. Gently smooth thy flight, O Time! Smoothly wing thy tiight, 0 Tine! BOTH. And as thou, flying, growest old, Still this happy race behold Thou saw'st thy order late express'd, In Britannia's court sublime. With added brightness, on Devonia's breast; BRIT. Lead along their smiling Ilours ; Meet the companion knight, and own him with a Long produce their siniling Hours; smile. BOTH, Blest by all auspicious powers. BRIT. Gently simooth thy flight, O Time! Smoothly wing thy flight, O Time! BOTH. And as thou, flying, growest old, Still this happy race behold In Britannia's court sublime, AUG. ALG. DUETTO AUG. 30TH. { RECITATIVE. AIR. To grace, &c. EPILOGUE, SPOKEN BY MR. MILLS, AT THE QUEEN'S THEATRE, ON HIS BENEFI'T-NIGHT, FEBRUARY 16, 1709, A LITTLE FOR HOLLAND. Whether our stage all others dors excel In strength of wit, we'll not presume to tell: But this, with noble, conscious pride, we'll say, No theatre such glories can display; Such worth conspicuous, beauty so divine, As in one British audience mingled shine. The mark of Anna's trust and his command, And mark the awful circle here to-night? Warriors, with ever-living laurels, brought Lofty birth and honours shining From empires sard, from battles bravely fought, Bring a light on noble minds, Here sit; whose matchless story shall adorn Every courtly grace combining, Scenes yet unwrit, and charm e'en ages yet unborn. Every generous action joining, Yet who would not expect such martial fire, That se's what eyes those gallant deeds inspire ? Lofty birth and honours shining Valour and Beauty still were Britain's claim, Both are her great prerogatives of fame; By both the Muses live, from both they catch their flame. RECITATIVE, Then as by you, in solid glory bright, Behold fair Liberty attend, Our envy'd Isle through Europe spreads her light, And in Devonia's loss bewail a friend, And rising honours every year sustain, See o'er his tomb perpetual lamps she lights, And mark the golden tract of Anne's distinguish'd Then, on his urn, the goddess writes: reign; “ Preserve, O Urn! his silent dust, So, by your presence here, we'll strive to raise Who faithful did obey To nobler heights our action and our plays; Princes like Anna, good and just, And poets from your favours shall derive Yet scorn'd his freedom to betray; That immortality they boast to give. |