Shakespeare and the Origins of English
Oxford University Press, 2004 - 260
What existed before there was a subject known as English? How did English eventually come about? Focusing specifically on Shakespeare's role in the origins of the subject, Rhodes addresses the evolution of English from the early modern period up to the late eighteenth century. He deals with the kinds of literary and educational practices that would have formed Shakespeare's experience and shaped his work, and traces the origins of English in certain aspects of the educational regime that existed before English literature became an established part of the curriculum. Rhodes then presents Shakespeare both as a product of Renaissance rhetorical teaching and as an agent of the transformation of rhetoric in the eighteenth century into the subject that emerged as the modern study of English.
Co mówią ludzie - Napisz recenzję
Nie znaleziono żadnych recenzji w standardowych lokalizacjach.
1 RENAISSANCE ARTICULATIONS
2 DID SHAKESPEARE STUDY CREATIVE WRITING?
3 BOTH SIDES NOW
4 VERNACULAR VALUES
5 COMMONPLACE SHAKESPEARE
6 THE ORIGINS OF ENGLISH
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
academic anthology argues articulation Ascham aspect barbarian barbarous Ben Jonson Blair Brian Vickers Cambridge University Press character Cicero civilization Clarendon classical commonplace-book concept concerned context controversiae Copia creative writing criticism cultural declamation described drama early modern edition eighteenth century Elizabethan elocution eloquence England English Renaissance English Studies Erasmus essay expression French Gabriel Harvey genius grammar Greek Hamlet heart human humanist Ibid imitation invention John Jonathan Bate Jonson Kames Kames’s kind language Latin lectures literary literature London Love’s Labour’s Lost metaphor Mulcaster Nashe Nashe’s nature oral Orator origins of English Ovid Oxford Parnassus Plays passage passions poet poetry pronuntiatio Puttenham Quintilian Ramus reading rhetoric rhyme Richard Richard Mulcaster role Roman says Seneca sense Shakespeare sixteenth-century speak speech style taste theatre theme Thomas tion Titus Titus Andronicus tongue trans translation Tudor verbal vernacular verse voice Voltaire William words