The Cinema Alone: Essays on the Work of Jean-Luc Godard, 1985-2000Michael Temple, James S. Williams Amsterdam University Press, 2000 - 269 This volume of essays constitutes a comprehensive and interdisciplinary engagement with Jean-Luc Godard's current film and video work. Its key focus is the eight-part magnum opus Histoire(s) du cinma (1988-1998), an extraordinary experiment in film history that attempts to tell 'all the stories of cinema' whilst remaining true to the specificity of what 'the cinema alone' contributed to twentieth-century culture. The Cinema Alone features contributors from France, Britain and America who discuss Godard's recent work both in the context of his earlier corpus and in relation to subjects such as literature, art history, philosophy, silent cinema, European culture, film theory, video and digital technology. The collection will make an important contribution to critical debates on the past, present and future of Film and Media Studies as cinema enters its second century. |
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Spis treści
Acknowledgements | 7 |
Montage My Beautiful Care or Histories of the Cinematograph | 33 |
Some Models | 77 |
Mortal Beauty | 97 |
European Culture and Artistic Resistance in HISTOIRES | 113 |
The Evidence and Uncertainty of Silent Film in HISTOIRES | 141 |
Notes on PUISSANCE DE LA PAROLE | 179 |
FilmographyDiscography of JeanLuc Godard | 207 |
Notes | 221 |
Notes on Contributors | 259 |
Inne wydania - Wyświetl wszystko
The Cinema Alone: Essays on the Work of Jean-Luc Godard, 1985-2000 Michael Temple,James S. Williams Podgląd niedostępny - 2000 |
The Cinema Alone: Essays on the Work of Jean-Luc Godard, 1985-2000 Michael Temple,James S. Williams Podgląd niedostępny - 2000 |
Kluczowe wyrazy i wyrażenia
aesthetic ALLEMAGNE ANNÉE 90 ANNÉE 90 NEUF artistic beauty Cahiers du Cinéma camera Cavell Chapter 3A cinematograph context critical culture Daney death Deleuze documentary Dziga Vertov Group editing Eisenstein Elizabeth Taylor episode essay Europe European event FANTÔMAS fatality Faure's fiction film-maker film's frames French Gilles Deleuze Godard par Godard Godard's films Godard's HISTOIRE(S Godard's KING LEAR Godardian HÉLAS POUR MOI HISTOIRE(S history of cinema idea intertitle interview invention Jean Jean-Luc Godard JLG/JLG KING LEAR Klimt l'art LA MONNAIE language look Malraux material meaning metaphor Miéville mins MONNAIE DE L'ABSOLU montage movement narrative NOUVELLE NOUVELLE VAGUE painting Paris phrase poetic present question reality representation rhythm screen sense sequence Serge Daney Shakespeare shot SIX FOIS DEUX SOIGNE TA DROITE sound story television things thought throughout HISTOIRE(S tion trace videographic viewer vision visual words