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A BALLAD NOTING THE DIFFERENCE OF RICH AND POOR, IN THE
WAYS OF A RICH NOBLE'S PALACE AND A POOR WORKHOUSE
HYPOCHONDRIACUS
287
288
*LINES SUGGESTED BY A PICTURE OF TWO FEMALES, BY LIONARDO
DA VINCI
298
*LINES ON THE SAME PICTURE BEING REMOVED TO MAKE PLACE FOR
A PORTRAIT OF A LADY BY TITIAN
299
*LINES ON THE CELEBRATED PICTURE BY LIONARDO DA VINCI, CALLED
II. ON THE SIGHT OF SWANS IN KENSINGTON GARDEN
301
. 301
IX. TO JOHN LAMB, ESQ., OF THE SOUTH-SEA-HOUSE
X.
XI.
NOTE. Those marked with an asterisk are by the Author's Sister.
. 303
303
304
BLANK VERSE:-
CHILDHOOD
THE GRANDAME
THE SABBATH BELLS
FANCY EMPLOYED ON DIVINE SUBJECTS
COMPOSED AT MIDNIGHT
JOHN WOODVIL, A TRAGEDY
THE WITCH, A DRAMATIC SKETCH OF THE SEVENTEENTH CENTURY
ALBUM VERSES, WITH A FEW OTHERS :-
IN THE AUTOGRAPH BOOK OF MRS. SERGEANT w-
359
TO DORA W-
ON BEING ASKED BY HER FATHER TO WRITE IN HER
TO A YOUNG friend ON HER TWENTY-FIRST BIRTHDAY
SHE IS GOING
SONNETS :-
HARMONY IN UNLIKENESS
366
367
369
€ 369
. 372
.373
WORK
. 373
LEISURE
. 374
TO SAMUEL ROGERS, ESQ.
THE GIPSY'S MALISON
COMMENDATORY VERSES, &c. :-
TO J. S. KNOWLES, ESQ., ON HIS TRAGEDY OF VIRGINIUS
TO THE AUTHOR OF POEMS, PUBLISHED UNDER THE NAME OF BARRY
TO T. STOTHARD, ESQ., ON HIS ILLUSTRATIONS OF THE POEMS OF MR.
PAGE
374
375
. 376
377
TO LOUISA M, WHOM I USED TO CALL “MONKEY"
TRANSLATIONS FROM THE LATIN OF VINCENT BOURNE:
THE BALLAD-SINGERS
382
TO DAVID COOK, OF THE PARISH OF ST. MARGARET'S, WESTMINSTER,
THE WIFE'S TRIAL; OR, THE INTRUDING WIDOW. A DRAMATIC POEM
399
ROSAMUND GRAY.