Classical Epic TraditionUniv of Wisconsin Press, 1 kwi 2003 - 572 The literary epic and critical theories about the epic tradition are traced from Aristotle and Callimachus through Apollonius, Virgil, and their successors such as Chaucer and Milton to Eisenstein, Tolstoy, and Thomas Mann. Newman's revisionist critique will challenge all scholars, students, and general readers of the classics, comparative literature, and western literary traditions. |
Spis treści
| 37 | |
Apollonius Rhodius | 73 |
Virgil | 104 |
Dante and Petrarch | 244 |
The Italian Tradition | 293 |
Chaucer and Milton | 339 |
Eisenstein and Pudovkin | 399 |
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Achilles Aeneas Aeneid Aetia Alexandrian allusion already ancient Apollo Apollonius Arcita Argonautica Ariosto Aristaeus Aristotle Aristotle's artist Augustan Boccaccio Book Caesar Callimachean Callimachus carnival Catullus Chaucer classical epic tradition comedy comic contrast critics Dante death device Dido Doktor Faustus dramatic echo Eclogues Eisenstein emotional Ennius estrangement Euripides example film Gallus genre Georgics Greek Hecale Hector Hellenistic hero heroic Hesiod Homer Horace human Iliad imagination imitation inspired irony Izbr Jason language Latin Leverkühn lines literary literature look Lucan Lucretius lyric Mann's means Medea Milton modern montage moral Muses narrative novel Odyssey Orpheus Ovid passage perhaps Petrarch Pindar poem poet poet's poetic poetry Proiz Propertius prose reader repr Roman Rome satire scene sense Shklovsky shows simile speech Statius story style symbolism technique theme Theseus Thomas Mann Tolstoy Tolstoy's tragedy Trojans Turnus vates vatic Venus Virgil whole words writing