Showstoppers: Busby Berkeley and the Tradition of Spectacle

Przednia okładka
Columbia University Press, 1993 - 249
The name Busby Berkeley, creator of the dances for films such as 42nd Street, Babes in Arms, and Million Dollar Mermaid, is synonymous with the spectacular musical production number. Films, television commercials, and MTV videos continue to use "Berkeleyesque" techniques long after Berkeley himself and the genre that nourished him have faded from the scene. The first major analysis of Berkeley's career on stage and screen, Showstoppers emphasizes his relationship to a colorful, somewhat disreputable tradition of American popular entertainment: that of P. T. Barnum, minstrel shows, vaudeville, Buffalo Bill Cody's Wild West Show, burlesque, and the Ziegfeld Follies. Rubin shows how Berkeley absorbed this declining theatrical tradition during his years as a Broadway dance director and then transferred it to the new genre of the early movie musical. With lively prose and engaging photographs, Showstoppers explores new ways of looking at Busby Berkeley, at the musical genre, and at individual films. Appropriate for both specialists and general readers, Showstoppers is an exuberant study of a figure whose career, Rubin notes, "provides an extraordinarily rich point of convergence for a wide range of cultural and artistic contexts".
 

Spis treści

From Barnum to Ziegfeld
11
The Backstage Format
33
Spectacularization of the Camera
88
Yankee 1927
98
Revue International 1930
107
Studio
151
Fox Period 1943
159
Late Period 19491954 1962
171
Author and Context
187
Collaborators
201
Bibliography
207
Stageography
215
Filmography
229
Index
235
Stylistic and Structural Contexts
236
Prawa autorskie

Kluczowe wyrazy i wyrażenia

Informacje o autorze (1993)

Martin Rubin was Film Program Director of New York Cultural Center and an Associate Director of the San Francisco Film Festival. He has taught at the State University of New York at Purchase, Wright State University, and the University of California at Santa Barbara. His articles on film have appeared in the Villiage Voice, Movie, Film Comment, Persistence of Vision, and Velvet Light Trap.

Informacje bibliograficzne