The Cambridge Companion to Shakespeare on FilmRussell Jackson Cambridge University Press, 26 paź 2000 - 342 Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. |
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... originals . Like the films of other ' classics ' , they conferred respect- ability on their makers and distributors , while providing an easily transportable rival to the pictorial , melodramatic mode of popular theatre . As a working ...
... originals . Like the films of other ' classics ' , they conferred respect- ability on their makers and distributors , while providing an easily transportable rival to the pictorial , melodramatic mode of popular theatre . As a working ...
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... original work . Direct reference is less likely to be made now than in the 1930s to the high cultural status of ... originals favours metadramatic devices , makes use of techniques akin to ( and absorbed in ) post - Brechtian ...
... original work . Direct reference is less likely to be made now than in the 1930s to the high cultural status of ... originals favours metadramatic devices , makes use of techniques akin to ( and absorbed in ) post - Brechtian ...
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... an International Filmography and Videography ( London , 1990 ) . Othello is currently available on video in a badly hacked version ( at least thirty minutes appear to have been cut from the original running ΙΟ RUSSELL JACKSON.
... an International Filmography and Videography ( London , 1990 ) . Othello is currently available on video in a badly hacked version ( at least thirty minutes appear to have been cut from the original running ΙΟ RUSSELL JACKSON.
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Russell Jackson. minutes appear to have been cut from the original running time ) but this may be all that survives . 7 See David Puttnam , with Neil Watson , The Undeclared War . The Struggle for Control of the World's Film Industry ...
Russell Jackson. minutes appear to have been cut from the original running time ) but this may be all that survives . 7 See David Puttnam , with Neil Watson , The Undeclared War . The Struggle for Control of the World's Film Industry ...
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Spis treści
From playscript to screenplay | 15 |
Video and its paradoxes | 35 |
Critical junctures in Shakespeare screen history the case of Richard III | 47 |
Shakespeare and movie genre the case of Hamlet | 72 |
Genres and plays | 83 |
The comedies on film | 85 |
Filming Shakespeares history three films of Richard III | 99 |
Hamlet Macbeth and King Lear on film | 117 |
Grigori Kozintsevs Hamlet and King Lear | 199 |
Franco Zeffirelli and Shakespeare | 212 |
Flamboyant realist Kenneth Branagh | 222 |
Critical issues | 239 |
Looking at Shakespeares women on film | 241 |
National and racial stereotypes in Shakespeare films | 261 |
Shakespeare the illusionist filming the supernatural | 274 |
Shakespeares cinematic offshoots | 295 |
The tragedies of love on film | 135 |
Directors | 161 |
The Shakespeare films of Laurence Olivier | 163 |
Orson Welles and f1lmed Shakespeare | 183 |
314 | |
FILMOGRAPHY | 318 |
325 | |
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