The Music of James BondOxford University Press, 1 lis 2012 - 304 The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall. |
Z wnętrza książki
Wyniki 1 - 5 z 73
Strona v
... Live Twice 71 On Her Majesty's 7 “... we have all the time in the world .. Secret Service 82 .” 8 “... touch it, stroke it and undress it .. .” Diamonds Are Forever 93 9 “. . . you gotta give the other fellow hell .. .” Live and Let Die ...
... Live Twice 71 On Her Majesty's 7 “... we have all the time in the world .. Secret Service 82 .” 8 “... touch it, stroke it and undress it .. .” Diamonds Are Forever 93 9 “. . . you gotta give the other fellow hell .. .” Live and Let Die ...
Strona viii
... lives and careers of the people and films discussed herein. Friends at the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences in Los Angeles, especially Stacey Behlmer, Warren Sherk and Faye Thompson. Robert ...
... lives and careers of the people and films discussed herein. Friends at the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences in Los Angeles, especially Stacey Behlmer, Warren Sherk and Faye Thompson. Robert ...
Strona 3
Jon Burlingame. John Barry conducting the orchestra in the score for You Only Live Twice in April 1967 at CTS Bayswater octave up; the dark cello counterpoints, the sharp trumpet and trombone stabs, the use of vibes and brushes, electric ...
Jon Burlingame. John Barry conducting the orchestra in the score for You Only Live Twice in April 1967 at CTS Bayswater octave up; the dark cello counterpoints, the sharp trumpet and trombone stabs, the use of vibes and brushes, electric ...
Strona 4
... Live Twice” and “Diamonds Are Forever,” but also such later hits as “Live and Let Die,” “Nobody Does It Better,” “A View to a Kill” and “Die Another Day”—have proven hugely popular among cinemagoers and record buyers alike. Matt Monro ...
... Live Twice” and “Diamonds Are Forever,” but also such later hits as “Live and Let Die,” “Nobody Does It Better,” “A View to a Kill” and “Die Another Day”—have proven hugely popular among cinemagoers and record buyers alike. Matt Monro ...
Strona 11
... Live Twice was published in 1964. One UA publicist, having heard the Jamaica tapes, reported on March 23 that “the music of Dr. No is really exciting, particularly the variation of the theme on 'Three Blind Mice.' I think that we have a ...
... Live Twice was published in 1964. One UA publicist, having heard the Jamaica tapes, reported on March 23 that “the music of Dr. No is really exciting, particularly the variation of the theme on 'Three Blind Mice.' I think that we have a ...
Spis treści
1 | |
5 | |
23 | |
3 The Midas toucha spiders touch Goldfinger | 35 |
4 He looks at this world and wants it all Thunderball | 47 |
5 Well it takes my breath away Casino Royale 1967 | 59 |
6 Make one dream come true You Only Live Twice | 71 |
7 We have all the time in the world On Her Majestys Secret Service | 82 |
17 The livings in the way we die The Living Daylights | 182 |
18 And you know Im going straight for your heart Licence to Kill | 191 |
19 Time is not on your side GoldenEye | 200 |
20 Until the world falls away Tomorrow Never Dies | 209 |
21 No point in living if you cant feel alive The World Is Not Enough | 219 |
22 Its not my time to go Die Another Day | 227 |
23 The coldest blood runs through my veins Casino Royale 2006 | 236 |
24 A door left open a woman walking by Quantum of Solace | 246 |
8 Touch it stroke it and undress it Diamonds Are Forever | 93 |
9 You gotta give the other fellow hell Live and Let Die | 103 |
10 An assassin thats second to none The Man with the Golden Gun | 115 |
11 Nobody does it better The Spy Who Loved Me | 123 |
12 That moonlight trail that leads to your side Moonraker | 135 |
13 You see what no one else can see For Your Eyes Only | 145 |
14 Hold on tight let the flight begin Octopussy | 156 |
15 Though I know theres danger there I dont care Never Say Never Again | 164 |
16 Until we dance into the fire A View to a Kill | 173 |
Afterword | 256 |
The Bond Soundtrack Albums | 259 |
The Bond Songs That Never Were | 263 |
Endnotes | 267 |
Bibliography | 281 |
Photo Credits | 285 |
Index | 287 |
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
action added album American appears Arnold arrangement Artists asked Bang Barry Barry’s Bassey begins Best Billboard Black Bond film BOND MUSIC Bond Theme Bond’s brass Broccoli called Casino Royale charted chase composer David Diamonds director early film’s final five followed going Goldfinger guitar Hamlisch heard hour idea interview by JB it’s James Bond James Bond Theme John John Barry Kill kind Kiss late later Live London Look Love March Martin meets melody minutes movie Never Norman notes opening orchestra original performance piece played producer quote reached recalled recording referred release returns Russia Saltzman scene score Secret sequence Service sing singer single sound soundtrack story strings studio thing thought Thunderball timpani title song track tune turned United vocal wanted weeks write written wrote