Obrazy na stronie
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gamblers, where vice and misery stalked undisguised in their darkest forms. He stirred up the dregs of human society, and exhibited their blackness and deformity, yet worked them into poetry. Like his own Sir Richard Monday, he never forgot the parish. It is true that village life in England in its worst form, with the old poor and game laws and nonresident clergy, was composed of various materials, some bright and some gloomy, and Crabbe drew them all. His Isaac Ashford is as honourable to the lowly English poor as the Jeanie Deans or Dandie Dinmont of Scott are to the Scottish character. His story of the real mourner, the faithful maid who watched over her dying sailor, is a beautiful tribute to the force and purity of humble affection. In the Parting Hour' and the 'Patron' are also passages equally honourable to the poor and middle classes, and full of pathetic and graceful composition. It must be confessed, however, that Crabbe was in general a gloomy painter of lifethat he was fond of depicting the unlovely and unamiable and that, either for poetic effect or from painful experience, he makes the bad of life predominate over the good. His pathos and tenderness are generally linked to something coarse, startling, or humiliating-to disappointed hopes or unavailing

sorrow

Still we tread the same coarse way,
The present's still a cloudy day.

mounted his horse and rode alone sixty miles from his house, that he might inhale its freshness and gaze upon its waters.

[The Parish Workhouse and Apothecary.]
[From The Village."]

Theirs is yon house that holds the parish poor,
Whose walls of mud scarce bear the broken door;
There, where the putrid vapours flagging, play,
And the dull wheel hums doleful through the day;
There children dwell who know no parents' care;
Parents, who know no children's love, dwell there;
Heart-broken matrons on their joyless bed,
Forsaken wives and mothers never wed,
Dejected widows with unheeded tears,
And crippled age with more than childhood-fears;
The lame, the blind, and, far the happiest they!
The moping idiot and the madman gay.

Here too the sick their final doom receive,
Here brought amid the scenes of grief, to grieve,
Where the loud groans from some sad chamber flow,
Mixed with the clamours of the crowd below;
Here sorrowing, they each kindred sorrow scan,
And the cold charities of man to man:
Whose laws indeed for ruined age provide,
And strong compulsion plucks the scrap from pride;
But still that scrap is bought with many a sigh,
And pride imbitters what it can't deny.
Say ye, oppressed by some fantastic woes,
Some jarring nerve that baffles your repose;
Who press the downy couch, while slaves advance
With timid eye, to read the distant glance;
Who with sad prayers the weary doctor tease,
To name the nameless ever-new disease;
Who with mock patience dire complaints endure,
Which real pain and that alone can cure;
How would ye bear in real pain to lie,
Despised, neglected, left alone to die?
How would ye bear to draw your latest breath
Where all that's wretched pave the way for death?

The minuteness with which he dwells on such subjects sometimes makes his descriptions tedious, and apparently unfeeling. He drags forward every defect, every vice and failing, not for the purpose of educing something good out of evil, but, as it would seem, merely for the purpose of completing the picture. In his higher flights, where scenes of strong passion, vice or remorse, are depicted, Crabbe is a moral poet, purifying the heart, as the object of tragedy has been defined, by terror and pity, and by fearful delineations of the misery and desolation caused by unbridled passion. His story of Sir Such is that room which one rude beam divides, Eustace Grey is a domestic tragedy of this kind, And naked rafters form the sloping sides; related with almost terrific power, and with lyrical Where the vile bands that bind the thatch are seen, energy of versification. His general style of versifi- And lath and mud are all that lie between; cation is the couplet of Pope (he has been wittily Save one dull pane, that, coarsely patched, gives way called Pope in worsted stockings'), but less flow-To the rude tempest, yet excludes the day: ing and melodious, and often ending in points and quibbles. Thus, in describing his cottage furniture, he says

No wheels are here for either wool or flax,
But packs of cards made up of sundry packs.

Here, on a matted flock, with dust o'erspread,
The drooping wretch reclines his languid head;
For him no hand the cordial cup applies,
Or wipes the tear that stagnates in his eyes;
No friends with soft discourse his pain beguile,
Or promise hope till sickness wears a smile.
But soon a loud and hasty summons calls,

His thrifty housewife, Widow Goe, falls down in Shakes the thin roof, and echoes round the walls;

sickness

Heaven in her eye, and in her hand her keys. This jingling style heightens the effect of his humorous and homely descriptions; but it is too much of a manner, and mars the finer passages. Crabbe has high merit as a painter of English scenery. He is here as original and forcible as in delineating character. His marine landscapes are peculiarly fresh and striking; and he invests even the sterile fens and barren sands with interest. His objects are seldom picturesque; but he noted every weed and plant--the purple bloom of the heath, the dwarfish flowers among the wild gorse, the slender grass of the sheep walk, and even the pebbles, sea-weed, and

shells amid

The glittering waters on the shingles rolled. He was a great lover of the sea, and once, as his son relates, after being some time absent from it,

Anon, a figure enters, quaintly neat,
All pride and business, bustle and conceit,
With looks unaltered by these scenes of wo,
With speed that, entering, speaks his haste to go;
He bids the gazing throng around him fly,
And carries fate and physic in his eye;
A potent quack, long versed in human ills,
Who first insults the victim whom he kills;
Whose murderous hand a drowsy bench protect,
And whose most tender mercy is neglect.

Paid by the parish for attendance here,
He wears contempt upon his sapient sneer;
In haste he seeks the bed where misery lies,
Impatience marked in his averted eyes;
And, some habitual queries hurried o'er,
Without reply, he rushes on the door;
His drooping patient, long inured to pain,
And long unheeded, knows remonstrance vain ;.
He ceases now the feeble help to crave
Of man; and silent sinks into the grave.

[Isaac Ashford, a Noble Peasant.]

[From the Parish Register."]

Next to these ladies, but in nought allied, A noble peasant, Isaac Ashford, died. Noble he was, contemning all things mean, His truth unquestioned and his soul serene: Of no man's presence Isaac felt afraid; At no man's question Isaac looked dismayed: Shame knew him not, he dreaded no disgrace; Truth, simple truth, was written in his face; Yet while the serious thought his soul approved, Cheerful he seemed, and gentleness he loved; To bliss domestic he his heart resigned, And with the firmest, had the fondest mind: Were others joyful, he looked smiling on, And gave allowance where he needed none; Good he refused with future ill to buy, Nor knew a joy that caused reflection's sigh; A friend to virtue, his unclouded breast No envy stung, no jealousy distressed; (Bane of the poor! it wounds their weaker mind To miss one favour which their neighbours find) Yet far was he from stoic-pride removed; He felt humanely, and he warmly loved: I marked his action when his infant died, And his old neighbour for offence was tried; The still tears, stealing down that furrowed cheek, Spoke pity plainer than the tongue can speak. If pride were his, 'twas not their vulgar pride, Who, in their base contempt, the great deride; Nor pride in learning, though my clerk agreed, If fate should call him, Ashford might succeed; Nor pride in rustic skill, although we knew None his superior, and his equals few: But if that spirit in his soul had place, It was the jealous pride that shuns disgrace; A pride in honest fame, by virtue gained, In sturdy boys to virtuous labours trained; Pride in the power that guards his country's coast, And all that Englishmen enjoy and boast; Pride in a life that slander's tongue defied, In fact, a noble passion, misnamed pride.

He had no party's rage, no sect'ry's whim; Christian and countryman was all with him; True to his church he came; no Sunday-shower Kept him at home in that important hour; Nor his firm feet could one persuading sect By the strong glare of their new light direct; On hope, in mine own sober light, I gaze, But should be blind and lose it in your blaze.' In times severe, when many a sturdy swain Felt it his pride, his comfort to complain, Isaac their wants would soothe, his own would hide, And feel in that his comfort and his pride.

At length he found, when seventy years were run, His strength departed and his labour done; When, save his honest fame, he kept no more; But lost his wife and saw his children poor; 'Twas then a spark of-say not discontentStruck on his mind, and thus he gave it vent: 'Kind are your laws ('tis not to be denied), That in yon house for ruined age provide, And they are just; when young, we give you all, And then for comforts in our weakness call. Why then this proud reluctance to be fed, To join your poor and eat the parish-bread? But yet I linger, loath with him to feed Who gains his plenty by the sons of need: He who, by contract, all your paupers took, And gauges stomachs with an anxious look: On some old master I could well depend; See him with joy and thank him as a friend; But ill on him who doles the day's supply, And counts our chances who at night may die :

Yet help me, Heaven! and let me not complain Of what befalls me, but the fate sustain.'

Such were his thoughts, and so resigned he grew; Daily he placed the workhouse in his view! But came not there, for sudden was his fate, He dropt expiring at his cottage-gate.

I feel his absence in the hours of prayer, And view his seat, and sigh for Isaac there; I see no more those white locks thinly spread Round the bald polish of that honoured head; No more that awful glance on playful wight Compelled to kneel and tremble at the sight; To fold his fingers all in dread the while, Till Mister Ashford softened to a smile; No more that meek and suppliant look in prayer, Nor the pure faith (to give it force) are there : But he is blest, and I lament no more,

A wise good man contented to be poor.

[Phoebe Dawson.]

[From the Parish Register."]

Two summers since, I saw at Lammas fair,
The sweetest flower that ever blossomed there;
When Phoebe Dawson gaily crossed the green,
In haste to see and happy to be seen;
Her air, her manners, all who saw, admired,
Courteous though coy, and gentle though retired;
The joy of youth and health her eyes displayed,
And ease of heart her every look conveyed;
A native skill her simple robes expressed,
As with untutored elegance she dressed;
The lads around admired so fair a sight,
And Phoebe felt, and felt she gave, delight.
Admirers soon of every age she gained,
Her beauty won them and her worth retained;
Envy itself could no contempt display,
They wished her well, whom yet they wished away;
Correct in thought, she judged a servant's place
Preserved a rustic beauty from disgrace;

But yet on Sunday-eve, in freedom's hour,
With secret joy she felt that beauty's power;
When some proud bliss upon the heart would steal,
That, poor or rich, a beauty still must feel.

At length, the youth ordained to move her breast,
Before the swains with bolder spirit pressed;
With looks less timid made his passion known,
And pleased by manners, most unlike her own;
Loud though in love, and confident though young;
Fierce in his air, and voluble of tongue;
By trade a tailor, though, in scorn of trade,
He served the squire, and brushed the coat he made;
Yet now, would Phoebe her consent afford,
Her slave alone, again he'd mount the board;
With her should years of growing love be spent,
And growing wealth: she sighed and looked consent.
Now, through the lane, up hill, and cross the green,
(Seen by but few and blushing to be seen-
Dejected, thoughtful, anxious, and afraid)
Led by the lover, walked the silent maid:
Slow through the meadows roved they many a mile,
Toyed by each bank and trifled at each stile;
Where, as he painted every blissful view,
And highly coloured what he strongly drew,
The pensive damsel, prone to tender fears,
Dimmed the false prospect with prophetic tears:
Thus passed the allotted hours, till, lingering late,
The lover loitered at the master's gate;
There he pronounced adieu! and yet would stay,
Till chidden-soothed-intreated-forced away!
He would of coldness, though indulged, complain,
And oft retire and oft return again;
When, if his teasing vexed her gentle mind,
The grief assumed compelled her to be kind!
For he would proof of plighted kindness crave,
That she resented first, and then forgave,

And to his grief and penance yielded more
Than his presumption had required before :-

Ah! fly temptation, youth; refrain ! refrain!
Each yielding maid and each presuming swain!
Lo! now with red rent cloak and bonnet black,
And torn green gown loose hanging at her back,
One who an infant in her arms sustains,

And seems in patience striving with her pains;
Pinched are her looks, as one who pines for bread,
Whose cares are growing and whose hopes are fled;
Pale her parched lips, her heavy eyes sunk low,
And tears unnoticed from their channels flow;
Serene her manner, till some sudden pain
Frets the meek soul, and then she's calm again;
Her broken pitcher to the pool she takes,
And every step with cautious terror makes;
For not alone that infant in her arms,
But nearer cause her anxious soul alarms;
With water burdened then she picks her way,
Slowly and cautious, in the clinging clay;
Till, in mid-green, she trusts a place unsound,
And deeply plunges in the adhesive ground;
Thence, but with pain, her slender foot she takes,
While hope the mind as strength the frame forsakes;
For when so full the cup of sorrow grows,
Add but a drop, it instantly o'erflows.
And now her path but not her peace she gains,
Safe from her task, but shivering with her pains;
Her home she reaches, open leaves the door,
And placing first her infant on the floor,
She bares her bosom to the wind, and sits,
And sobbing struggles with the rising fits;
In vain, they come, she feels the inflating grief,
That shuts the swelling bosom from relief;
That speaks in feeble cries a soul distressed,
Or the sad laugh that cannot be repressed;
The neighbour-matron leaves her wheel, and flies
With all the aid her poverty supplies;
Unfee'd, the calls of nature she obeys,
Not led by profit, not allured by praise;
And waiting long, till these contentions cease,
She speaks of comfort, and departs in peace.

Friend of distress! the mourner feels thy aid,
She cannot pay thee, but thou wilt be paid.

But who this child of weakness, want, and care?
'Tis Phoebe Dawson, pride of Lammas fair;
Who took her lover for his sparkling eyes,
Expressions warm, and love-inspiring lies:
Compassion first assailed her gentle heart
For all his suffering, all his bosom's smart :
'And then his prayers! they would a savage move,
And win the coldest of the sex to love :'
But ah! too soon his looks success declared,
Too late her loss the marriage-rite repaired;
The faithless flatterer then his vows forgot,
A captious tyrant or a noisy sot:

If present, railing till he saw her pained;
If absent, spending what their labours gained;
Till that fair form in want and sickness pined,
And hope and comfort fled that gentle mind.

Then fly temptation, youth; resist! refrain!
Nor let me preach for ever and in vain!

[Dream of the Condemned Felon.]
[From The Borough."]
Yes! e'en in sleep the impressions all remain,
He hears the sentence and he feels the chain;
He sees the judge and jury when he shakes,
And loudly cries, 'not guilty,' and awakes:
Then chilling tremblings o'er his body creep,
Till worn-out nature is compelled to sleep.

Now comes the dream again: it shows each scene,
With each small circumstance that comes between-
The call to suffering, and the very deed-
There crowds go with him, follow, and precede;

Some heartless shout, some pity, all condemn,
While he in fancied envy looks at them;
He seems the place for that sad act to see,
And dreams the very thirst which then will be;
A priest attends-it seems the one he knew
In his best days, beneath whose care he grew.
At this his terrors take a sudden flight;
He sees his native village with delight;
The house, the chamber, where he once arrayed
His youthful person, where he knelt and prayed;
Then, too, the comforts he enjoyed at home,
The days of joy; the joys themselves are come;
The hours of innocence, the timid look
Of his loved maid, when first her hand he took
And told his hope; her trembling joy appears,
Her forced reserve, and his retreating fears.
All now are present-'tis a moment's gleam
Of former sunshine-stay, delightful dream!
Let him within his pleasant garden walk,
Give him her arm, of blessings let them talk.

Yes! all are with him now, and all the while
Life's early prospects and his Fanny's smile;
Then come his sister and his village friend,
And he will now the sweetest moments spend
Life has to yield: no, never will he find
Again on earth such pleasure in his mind:
He goes through shrubby walks these friends among,
Love in their looks and honour on the tongue;
Nay, there's a charm beyond what nature shows,
The bloom is softer, and more sweetly glows;
Pierced by no crime, and urged by no desire
For more than true and honest hearts require,
They feel the calm delight, and thus proceed
Through the green lane, then linger in the mead,
Stray o'er the heath in all its purple bloom,
And pluck the blossom where the wild bees hum;
Then through the broomy bound with ease they pass,
And press the sandy sheep-walk's slender grass,
Where dwarfish flowers among the gorse are spread,
And the lamb browses by the linnet's bed;
Then 'cross the bounding brook they make their way
O'er its rough bridge, and there behold the bay;
The ocean smiling to the fervid sun,

The waves that faintly fall, and slowly run,
The ships at distance, and the boats at hand;
And now they walk upon the sea-side sand,
Counting the number, and what kind they be,
Ships softly sinking in the sleepy sea;
Now arm in arm, now parted, they behold
The glittering waters on the shingles rolled:
The timid girls, half dreading their design,
Dip the small foot in the retarded brine,
And search for crimson weeds, which spreading flow,
Or lie like pictures on the sand below;
With all those bright red pebbles that the sun
Through the small waves so softly shines upon;
And those live lucid jellies which the eye
Delights to trace as they swim glittering by;
Pearl shells and rubied star-fish they admire,
And will arrange above the parlour fire.
Tokens of bliss! Oh, horrible! a wave
Roars as it rises-save me, Edward, save!'
She cries. Alas! the watchman on his way
Calls, and lets in-truth, terror, and the day!

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[Story of a Betrothed Pair in Humble Life.]
[From The Borough."]

Yes, there are real mourners; I have seen
A fair sad girl, mild, suffering, and serene;
Attention through the day her duties claimed,
And to be useful as resigned she aimed;
Neatly she dressed, nor vainly seemed to expect
Pity for grief, or pardon for neglect;

But when her wearied parents sunk to sleep,
She sought her place to meditate and weep:

Then to her mind was all the past displayed,
That faithful memory brings to sorrow's aid;
For then she thought on one regretted youth,
Her tender trust, and his unquestioned truth;
In every place she wandered where they'd been,
And sadly-sacred held the parting scene
Where last for sea he took his leave that place
With double interest would she nightly trace;
For long the courtship was, and he would say
Each time he sailed, "This once, and then the
day;'

Yet prudence tarried, but when last he went,
He drew from pitying love a full consent.

Happy he sailed, and great the care she took
That he should softly sleep, and smartly look;
White was his better linen, and his check
Was made more trim than any on the deck;
And every comfort men at sea can know,
Was hers to buy, to make, and to bestow;
For he to Greenland sailed, and much she told
How he should guard against the climate's cold,
Yet saw not danger, dangers he'd withstood,
Nor could she trace the fever in his blood.
His messmates smiled at flushings in his cheek,
And he, too, smiled, but seldom would he speak ;
For now he found the danger, felt the pain,
With grievous symptoms he could not explain.

He called his friend, and prefaced with a sigh A lover's message-Thomas, I must die; Would I could see my Sally, and could rest My throbbing temples on her faithful breast, And gazing go! if not, this trifle take, And say, till death I wore it for her sake. Yes, I must die-blow on, sweet breeze, blow on! Give me one look before my life be gone; Oh, give me that! and let me not despairOne last fond look-and now repeat the prayer.' He had his wish, and more. I will not paint The lovers' meeting: she beheld him faintWith tender fears she took a nearer view, Her terrors doubling as her hopes withdrew; He tried to smile, and half-succeeding, said, 'Yes, I must die'-and hope for ever fled.

Still long she nursed him; tender thoughts meantime

Were interchanged, and hopes and views sublime.
To her he came to die, and every day

She took some portion of the dread away;
With him she prayed, to him his Bible read,
Soothed the faint heart, and held the aching head;
She came with smiles the hour of pain to cheer,
Apart she sighed, alone she shed the tear;
Then, as if breaking from a cloud, she gave
Fresh light, and gilt the prospect of the grave.

One day he lighter seemed, and they forgot
The care, the dread, the anguish of their lot;
They spoke with cheerfulness, and seemed to think,
Yet said not so-Perhaps he will not sink.'
A sudden brightness in his look appeared,
A sudden vigour in his voice was heard;
She had been reading in the Book of Prayer,
And led him forth, and placed him in his chair;
Lively he seemed, and spoke of all he knew,
The friendly many, and the favourite few;
Nor one that day did he to mind recall,
But she has treasured, and she loves them all.
When in her way she meets them, they appear
Peculiar people-death has made them dear.

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He named his friend, but then his hand she pressed,
And fondly whispered, Thou must go to rest.'
"I go,' he said, but as he spoke she found
His hand more cold, and fluttering was the sound;
Then gazed affrightened, but she caught a last,
A dying look of love, and all was past.
She placed a decent stone his grave above,
Neatly engraved, an offering of her love :

For that she wrought, for that forsook her bed,
Awake alike to duty and the dead.
She would have grieved had they presumed to spare
The least assistance-'twas her proper care.
Here will she come, and on the grave will sit,
Folding her arms, in long abstracted fit;
But if observer pass, will take her round,
And careless seem, for she would not be found;
Then go again, and thus her hour employ,
While visions please her, and while woes destroy.

[An English Fen-Gipsies.]

[From 'Tales'-Lover's Journey.]
On either side

Is level fen, a prospect wild and wide,
With dikes on either hand by ocean's self supplied:
Far on the right the distant sea is seen,
And salt the springs that feed the marsh between:
Beneath an ancient bridge, the straitened flood
Rolls through its sloping banks of slimy mud;
Near it a sunken boat resists the tide,
That frets and hurries to the opposing side;
The rushes sharp that on the borders grow,
Bend their brown flowerets to the stream below,
Impure in all its course, in all its progress slow:
Here a grave Flora scarcely deigns to bloom,
Nor wears a rosy blush, nor sheds perfume;
The few dull flowers that o'er the place are spread,
Partake the nature of their fenny bed.

Here on its wiry stem, in rigid bloom,
Grows the salt lavender that lacks perfume;
Here the dwarf sallows creep, the septfoil harsh,
And the soft slimy mallow of the marsh;
Low on the ear the distant billows sound,
And just in view appears their stony bound;
Nor hedge nor tree conceals the glowing sun;
Birds, save a watery tribe, the district shun,
Nor chirp among the reeds where bitter waters run.
Again, the country was inclosed, a wide
And sandy road has banks on either side;
Where, lo! a hollow on the left appeared,
And there a gipsy tribe their tent had reared;
'Twas open spread to catch the morning sun,
And they had now their early meal begun,
When two brown boys just left their grassy seat,
The early traveller with their prayers to greet;
While yet Orlando held his pence in hand,
He saw their sister on her duty stand;
Some twelve years old, demure, affected, sly,
Prepared the force of early powers to try;
Sudden a look of languor he descries,
And well-feigned apprehension in her eyes;
Trained, but yet savage, in her speaking face
He marked the features of her vagrant race,
When a light laugh and roguish leer expressed
The vice implanted in her youthful breast;
Forth from the tent her elder brother came,
Who seemed offended, yet forbore to blame
The young designer, but could only trace
The looks of pity in the traveller's face.
Within the father, who from fences nigh,
Had brought the fuel for the fire's supply,
Watched now the feeble blaze, and stood dejected by;
On ragged rug, just borrowed from the bed,
And by the hand of coarse indulgence fed,
In dirty patchwork negligently dressed,
Reclined the wife, an infant at her breast;
In her wild face some touch of grace remained,
Of vigour palsied, and of beauty stained;
Her bloodshot eyes on her unheeding mate

Were wrathful turned, and seemed her wants to state,
Cursing his tardy aid. Her mother there
With gipsy state engrossed the only chair;
Solemn and dull her look; with such she stands,

And reads the milkmaid's fortune in her hands,

Tracing the lines of life; assumed through years,
Each feature now the steady falsehood wears;
With hard and savage eye she views the food,
And grudging pinches their intruding brood.
Last in the group, the worn-out grandsire sits
Neglected, lost, and living but by fits;
Useless, despised, his worthless labours done,
And half-protected by the vicious son,
Who half-supports him, he with heavy glance
Views the young ruffians who around him dance,
And, by the sadness in his face, appears

To trace the progress of their future years;
Through what strange course of misery, vice, deceit,
Must wildly wander each unpractised cheat;
What shame and grief, what punishment and pain,
Sport of fierce passions, must each child sustain,
Ere they like him approach their latter end,
Without a hope, a comfort, or a friend!

[Gradual Approaches of Age.]

[From Tales of the Hall."]

Six years had passed, and forty ere the six,
When time began to play his usual tricks;
The locks once comely in a virgin's sight,

Locks of pure brown, displayed the encroaching white;
The blood, once fervid, now to cool began,

And Time's strong pressure to subdue the man.

I rode or walked as I was wont before,

But now the bounding spirit was no more;
A moderate pace would now my body heat;
A walk of moderate length distress my feet.
I showed my stranger guest those hills sublime,
But said, 'The view is poor; we need not climb.”
At a friend's mansion I began to dread
The cold neat parlour and the gay glazed bed:
At home I felt a more decided taste,
And must have all things in my order placed.
I ceased to hunt; my horses pleased me less-
My dinner more; I learned to play at chess.
I took my dog and gun, but saw the brute
Was disappointed that I did not shoot.
My morning walks I now could bear to lose,

And blessed the shower that gave me not to choose:
In fact, I felt a languor stealing on;

The active arm, the agile hand, were gone;
Small daily actions into habits grew,

And new dislike to forms and fashions new.

I loved my trees in order to dispose;

I numbered peaches, looked how stocks arose;
Told the same story oft-in short, began to prose.

[Song of the Crazed Maiden.]

[From the same.]

Let me not have this gloomy view
About my room, about my bed;
But morning roses, wet with dew,

To cool my burning brow instead ;
As flowers that once in Eden grew,
Let them their fragrant spirits shed,
And every day their sweets renew,

Till I, a fading flower, am dead.

O let the herbs I loved to rear

Give to my sense their perfumed breath! Let them be placed about my bier,

And grace the gloomy house of death.
I'll have my grave beneath a hill,

Where only Lucy's self shall know,
Where runs the pure pellucid rill
Upon its gravelly bed below:
There violets on the borders blow,

And insects their soft light display,
Till, as the morning sunbeams glow,
The cold phosphoric fires decay.

That is the grave to Lucy shown;

The soil a pure and silver sand; The green cold moss above it grown, Unplucked of all but maiden hand. In virgin earth, till then unturned,

There let my maiden form be laid; Nor let my changed clay be spurned,

Nor for new guest that bed be made. There will the lark, the lamb, in sport, In air, on earth, securely play: And Lucy to my grave resort,

As innocent, but not so gay.

I will not have the churchyard ground With bones all black and ugly grown,

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press my shivering body round, Or on my wasted limbs be thrown.

With ribs and skulls I will not sleep,

In clammy beds of cold blue clay, Through which the ringed earth-worms creep, And on the shrouded bosom prey. I will not have the bell proclaim

When those sad marriage rites begin, And boys, without regard or shame, Press the vile mouldering masses in.

Say not, it is beneath my care

I cannot these cold truths allow;
These thoughts may not afflict me there,
But oh! they vex and tease me now!
Raise not a turf, nor set a stone,

That man a maiden's grave may trace,
But thou, my Lucy, come alone,
And let affection find the place!

[Sketches of Autumn.]

[From the same.]

It was a fair and mild autumnal sky,
And earth's ripe treasures met the admiring eye,
As a rich beauty when her bloom is lost,
Appears with more magnificence and cost:
The wet and heavy grass, where feet had strayed,
Not yet erect, the wanderer's way betrayed;
Showers of the night had swelled the deepening rill,
The morning breeze had urged the quickening mill;
Assembled rooks had winged their seaward flight,
By the same passage to return at night,
While proudly o'er them hung the steady kite,
Then turned them back, and left the noisy throng,
Nor deigned to know them as he sailed along.
Long yellow leaves, from osiers, strewed around,
Choked the dull stream, and hushed its feeble sound,
While the dead foliage dropt from loftier trees,
Our squire beheld not with his wonted ease;

But to his own reflections made reply,

And said aloud, 'Yes; doubtless we must die.'
'We must,' said Richard; and we would not live

To feel what dotage and decay will give;
But we yet taste whatever we behold;
The morn is lovely, though the air is cold:
There is delicious quiet in this scene,
At once so rich, so varied, so serene;
Sounds, too, delight us each discordant tone
Thus mingled please, that fail to please alone;
This hollow wind, this rustling of the brook,
The farm-yard noise, the woodman at yon oak-
See, the axe falls !-now listen to the stroke:
That gun itself, that murders all this peace,
Adds to the charm, because it soon must cease.

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