Critical Perspectives on Classicism in Japanese Painting, 1600-1700Elizabeth Lillehoj University of Hawaii Press, 2004 - 272 In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs |
Spis treści
1 Frontispiece of the Ganmon scroll from the Heike nōkyō | 55 |
12 Ogata Kōrin Suminoe Writing Box | 68 |
1 Four Pairs of Shells from a shell game | 104 |
Prawa autorskie | |
Nie pokazano 29 innych sekcji
Inne wydania - Wyświetl wszystko
Critical Perspectives on Classicism in Japanese Painting: 1600 - 1700 Elizabeth Lillehoj Ograniczony podgląd - 2004 |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 Elizabeth Lillehoj Ograniczony podgląd - 2003 |
Kluczowe wyrazy i wyrażenia
aesthetic ancient aristocratic artists Bijutsushi Buddhist bunka byōbu calligraphers canon chapter Chinese classical revival Collection Confucian court Daigoji Dainagon Date album set decorated early Edo period Edo period elite emaki emperor FIGURE Genji monogatari Gion Festival Gion Floats Gomizunoo Goten Gyokushū Handscrolls Heian period Heike nōkyō hengaku historians Hōitsu Hundred Poets Hyakunin isshu illustration images imperial Itsukushima Japan Japanese art Japanese art history Kan'ei Kano school kasen-e kenkyū Kōetsu Kokka koten Kyoto literary Meiji models modern Murasaki Muromachi Nakamachi Nijō Nijō Castle Ninomaru Nobutada Ogata Kōrin Oka Yoshiko painters palace patrons PLATE poems poetry political Rimpa Sakai scenes scholars scrolls seventeenth century shogun Shrine Shugakuin Sōtatsu and Kōrin style Sumiyoshi Tale of Genji Tan'yū Tanaka Tawaraya Sōtatsu Teika term classicism texts themes Thirty-Six Poets Thunder Gods Screens tion Tōfukumon'in Tokyo National Museum Tosa Mitsuoki tradition University Press visual waka warrior Wind and Thunder women yamato-e