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conduct. Speaking of those who died for this plot, Fox says (Intro-
ductory Chapter to History of James II."), "that which is most cer-
tain in this affair is, that they had committed no overt act indicating
the imagining the king's death, even according to the most strained
construction of the statute of Edward III., much less was any such
act legally proved against them; and the conspiring to levy war was
not treason, except by a recent statute of Charles II., the prosecutions
upon which were expressly limited to a certain time, which in these
cases had elapsed; so that it is impossible not to assent to the opinion
of those who have ever stigmatised the condemnation and execution
of Russell as a most flagrant violation of law and justice." The firm
and noble conduct of Lady Russell, who attended her husband during
his trial to take notes and give him assistance, deserves the greatest
admiration. The bitterness of their parting is described in the most
pathetic terms, and a lasting grief is shown in her subsequent corres-
pondence. She died at Southampton House, in September 1723, at
the advanced age of eighty-six.
We have not mentioned the charge made against Lord Russell, in
common with Algernon Sidney, and many others of less repute, of
having received bribes from the French government. That he did
receive money appears certain, unless the authority of Barillon can be
overthrown, but that it was as a bribe to serve French interests we
believe to be quite untrue. The character of both Russell and Sidney
is wholly at variance with such an act. As a politician, Russell
appears uniformly disinterested; he was zealous and energetic, though
not conspicuous for ability, the high public estimation in which he was
held being founded upon his sense, his judgment, and his integrity.
The reader who wishes to inquire further into the subject must refer
to the more lengthened biographies and the authorities there referred
to; he will do well also to look at Macaulay's History,' and especially
at the more calm and judicial investigation of Hallam in the second
volume of his Constitutional History.'

Lord Russell's son was created Duke of Bedford; one of his
daughters was married to the Duke of Devonshire, and another to the
Duke of Rutland. An act for annulling his attainder, which passed
in the first year of William and Mary, recites that "he was by undue
and illegal return of jurors, having been refused his lawful challenge
to the said jurors for want of freehold, and, by partial and unjust
constructions of law, wrongfully convicted, attainted, and executed for
high treason." After the executions which followed the Rye House
Plot, the country party had little influence during the remainder of
Charles's reign.

RUSSELL, WILLIAM, LL.D., the son of poor parents, was born in the county of Selkirk in 1741, and educated, very imperfectly, in the country and in Edinburgh. He served a regular apprenticeship as a printer, and, while working as a journeyman in Edinburgh, edited a collection of modern poetry, and executed a translation of a tragedy of Crébillon, which was submitted to Garrick, but rejected. In 1767 he went to London to seek his fortune, but for some time found nothing better than a place as corrector of the press for Strachan the printer. While so employed he contributed to periodicals, and published unsuccessfully several poetical and other volumes, among which was a 'History of America.' In 1779 appeared the first two volumes of the popular compilation by which he is now known, The History of Modern Europe.' The third, fourth, and fifth volumes, bringing down the narrative to 1763, were published in 1784. In 1787 he married, and took up his residence on a farm in Dumfriesshire, where he spent the remainder of his life. In 1793 he published the first two volumes of a History of Ancient Europe;' and he had also begun, in terms of an engagement with Mr. Cadell, to compose a 'History of England from the Accession of George III.' These unfinished works however, as well as several tragedies and comedies, were stopped by his death, which took place on the 25th of December 1793.

RUSSELL, WILLIAM HOWARD, who has earned celebrity by his picturesque and vivid descriptions of the operations of the armies in the Crimea, was born in Dublin in 1821, and was educated at Trinity College, Dublin. While here, in 1841, an uncle, who was engaged as a reporter on the Times' newspaper, proposed to him to write an account of the Longford election: this he executed most successfully. In the following year he came to London, in hopes of being engaged as a reporter; but failing at the time, he entered himself at Cambridge University, and supported himself by writing for various periodical works, among others for the 'Sporting Magazine.' After a short residence in Cambridge, he obtained the appointment of mathematical master in Kensington grammar-school. In 1845 however, when the monster-meetings for the repeal of the Union were taking place in Ireland, he was applied to by the managers of the "Times' to attend and to write the descriptive portions of them, the speeches being reported by others; and he did this with a vividness, an energy, an accuracy, and a fearless honesty, that won him great applause. When the trial of O'Connell took place in Dublin, Mr. Russell was sent as reporter; and brought over the verdict, given at twelve o'clock on Saturday night, so as to publish it in the Times' on Monday morning. When the Daily News' was started in 1845, he was led to expect an engagement upon it offering him superior pecuniary advantages, and he resigned his connection with the Times;' but as this expectation was disappointed he entered himself at the Temple, and almost immediately made an arrangement with the Morning

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Chronicle' as reporter, and in this capacity visited Ireland to investigate the consequences of the distress occasioned by the potato blight in 1846. In 1847 he returned to the Times,' for which he reported the trials of Smith O'Brien and his associates at Clonmel, the Kossuth demonstrations, the Queen's visits to Belgium and Ireland, ships launches, and many other things for which his picturesque and ready pen was adapted. On the sailing of the expedition to the Crimea, he was deputed by the Times' to accompany it in order to report its proceedings, and he proceeded thither with the first detachment. He soon distinguished himself by his intrepidity in taking up the most dangerous positions so as to enable him to see and describe the military events; he was present at the battle of the Alma; had more than one escape from shot, and more than a full share of the discomforts experienced by the troops, under which he more than once succumbed, and was dangerously ill. The most striking characteristics of his reports however were the quick-sightedness with which he discerned all the defects of arrangement, and the dauntless honesty with which he exposed them. His letters excited so much attention that, contrary to the almost uniform custom of the 'Times,' the name of the reporter became known, and was recognised in the paper. He returned to England, after visiting Moscow and describing the coronation of the czar. His letters, with some modification, have been published under the titles of The War, from the Landing at Gallipoli to the Death of Lord Raglan,' 1855; and 'The War, from the Death of Lord Raglan to the Peace at Paris, 1856,' in 2 post 8vo volumes; and he has since published The Expedition to the Crimea, with Maps and Plans,' issued in monthly parts. In 1856 he was created LL.D. of Trinity College, Dublin. [See SUPPLEMENT.] RUTHERFORD, DANIEL, was born at Edinburgh in November 1749, and was educated at the university of his native city. In 1772 he took his degree of M.D., and it was in the thesis which he printed upon this occasion, entitled 'De Aere Mephitico,' that he announced the discovery for which he is chiefly remembered, of the gas which has since been called azote or nitrogen; for Rutherford merely indicated its existence as a peculiar air, and neither gave it any name nor explained its properties. The same discovery was also made about the same time by Dr. Priestley, and was announced by him in his paper On the Different Kinds of Air,' which obtained the Copley medal, and was published in the Philosophical Transactions' for 1772. Dr. Rutherford was admitted a Fellow of the Edinburgh College of Physicians in 1777, and in 1786 he was appointed professor of botany in the university. He died on the 15th of November 1819. RUTHERFORTH, THOMAS, D.D., was born in the parish of Papworth Everard, Cambridgeshire, in the year 1712. Having taken his degree and obtained a fellowship in St. John's College, Cambridge, he was appointed Regius Professor of Divinity in the university, and created D.D. He was afterwards elected a Fellow of the Royal Society, and obtained the preferments of the rectory of Barley in Hertfordshire, Shenfield in Essex, and the archdeaconry of Essex. He died in October 1771.

Besides single sermons and charges to the clergy, Dr. Rutherforth is the author of the following works:-'Ordo Institutionum Physicarum, in privatis suis Lectionibus,' sm. 4to, Camb., 1743; Essay on the Nature and Obligations of Virtue,' 8vo, Lond., 1744; 'A System of Natural Philosophy, being a Course of Lectures on Mechanics, Optics, Hydrostatics, and Astronomy,' 2 vols. 4to, Camb., 1748; A Letter to Dr. Middleton, in Defence of Bishop Sherlock on Prophecy,' 8vo, 1750; A Discourse on Miracles,' 8vo, 1751; Institutes of Natural Law, being the substance of a Course of Lectures on Grotius De Jure Belli et Pacis, read in St. John's College, Cambridge,' 2 vols. 8vo, Lond., 1754-56. A list of his sermons, tracts, and charges is given in Watt's Bibliotheca Britannica.'

RUTILIUS LUPUS, a Roman rhetorician, who was a contemporary of Quinctilian (Quinct., Inst. Orat.,' iii., 1, p. 150, Bipont), but of whose life we have no particulars. We possess a small treatise of his on rhetoric, entitled 'De Figuris Sententiarum et Elocutionis,' which we learn from Quinctilian (ix. 2, p. 152) was taken from a work of a contemporary of the name of Gorgias, in four books. The treatise of Rutilius does not appear to have come down to us in the same state in which he wrote it. It is now divided into two books, whereas Quinctilian says that it was only in one. It is several times quoted by Quinctilian, and is still valuable for the quotations which it contains from writers now lost.

The work of Rutilius was originally published by Roscius Ferrariensis, 8vo, Venet., 1519; and afterwards by Ruhnken, 8vo, Lug. Bat., 1768, the latter of which was republished by Frotscher, 8vo, Lips., 1831. There is also an edition by F. Jacob, 8vo, Lub., 1837.

RUTILIUS, NUMATIA'NUS, CLAUDIUS, a Roman poet at the beginning of the 5th century of the Christian era, was a native of Gaul, and held at Rome the high offices of magister officiorum or palatii, and præfectus urbi. Having occasion to return to his native country, he gave an account of his voyage, in a poem entitled Itine rarium,' written in elegiac verse, and consisting of two books, of which the greater part of the latter is lost. Rutilius made the voyage in a small vessel, which put into shore during the night and sailed again in the morning. He describes with much beauty, and in the genuine spirit of poetry, the towns, ruins, and various objects of nature and art which he saw, and deeply laments the ravages which had been

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committed by the barbarians of the north. Rutilius was a pagan, and in his voyage gives an account of the monks who lived at Capraria, and in other parts of his poem makes allusion to the state of Christianity at that time. The poem of Rutilius was first printed in 1520, 4to, Bonon. The best edition is by Zumpt, Berlin, 1840. Other useful editions are by Damm, Brandenb., 8vo, 1760; by Kappius, 8vo, Erlang., 1786; and by Gruber, 8vo, Norimb., 1804. RUYSCH, FREDERIC, a celebrated anatomist, was born at the Hague, in 1638. His father was secretary of the States-General of Holland. He studied medicine at Leyden, took his doctor's degree in 1664, and then returned to practise at the Hague. In 1665 he published his first work on the valves of the lymphatic vessels, and in the following year he was appointed to the professorship of anatomy at Amsterdam. From this time he devoted himself entirely to the study of anatomy, or rather to the formation of an anatomical museum, for he seems to have regarded the science of anatomy as a pursuit far inferior to the art of preparation-making. In this art he was unequalled by any of his contemporaries, and the accounts given by those who saw his museum, of the perfect state in which the bodies of children and animals were preserved, with all the apparent freshness and bloom of life, if they could be entirely credited, would be sufficient evidence that he has not yet had a rival in the preservation of bodies. In the art of dissecting and of injecting the blood-vessels however, in which Ruysch was supposed to be equally eminent, he has long been far surpassed; and it is probable that his best preparations of this kind were not superior to those which are ordinarily made at the present day. Ey unceasing labour Ruysch collected a most extensive museum of anatomical preparations of all kinds, for which, in 1698, Peter of Russia gave him 30,000 florins. It was then conveyed to Petersburg, where, it is said, the greater part has since decayed, and become useless. After selling his first museum, Ruysch commenced with unabated ardour to collect a second, a part of which, at his death in 1731, was sold to the king of Poland for 20,000 florins. Ruysch's merits as an anatomist have been greatly overrated. In all his works, which make up five large quarto volumes, there is no evidence that he was more than a plodding anatomical artist. Though he claimed many discoveries, those that really belong to him are few and not important; and in proportion to the labour expended in the pursuit of anatomy, few have contributed less to its progress as a science, for he did not even publish the modes of making his preparations. RUYSDAEL, or RUYSDAAL, JACOB, a landscape-painter, was born at Haarlem, about 1625. He was brought up to surgery, which he practised for a short time, but he appears to have painted at an early age, and eventually he adopted painting as his profession. He most probably received the first instruction in his art from his elder brother Solomon, who was also a good landscape-painter, but his reputation has been lost, or rather obscured, by the superior name of his brother. Solomon was born also in Haarlem, in 1616, and died there in 1670; he was the scholar of Schoeft and Van Goyen. He distinguished himself by the invention of an admirable composition in imitation of variegated marbles.

Jacob Ruysdael became the friend of Nicolas Berghem, and, as has been reported, his scholar; but this, if we may judge from the extreme dissimilarity of their styles, is highly improbable. Ruysdael was a simple but accurate imitator of nature, and his taste inclined him towards the wild and the secluded. He displayed an exquisite judgment in the selection of his subjects, and for the power and at the same time the truth of his imitations he has scarcely been equalled. Woods and waterfalls are the prevailing subjects of his landscapes, and he rarely painted a scene without introducing either a cascade or a rivulet. He occasionally also painted marine pieces.

Roysdael's works, independent of their powerful effect and masterly imitation, are distinguished from those of other masters by the peculiarity that the foregrounds generally constitute the pictures, the distances being introduced simply as accessories to complete the view, and he may be said perhaps never to have produced a mere scenic effect. His colouring, though warm, as his foliage, is that of a northern climate, and it is improbable that he ever visited Italy; he was fond of rather cold and cloudy skies with sudden and powerful masses of light and shade. Ruysdael never painted figures; those which are introduced into his compositions were painted by Ostade, Wouvermanns, a Vandevelde, or Berghem.

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His works are held in the highest estimation by collectors of old paintings. There are fine specimens of them in most of the principal collections of Europe, and three in our National Gallery. The Stag-Hunt,' in the Royal Gallery of Dresden, the figures of which are by Vandevelde, is generally reputed to be his masterpiece; but there is a large woody landscape in the Doria Gallery at Rome, of sur prising power and beauty, which is certainly unsurpassed by any production of its class. Ruysdael also etched a few plates in a very bold and effective style, but impressions from them are very scarce. He died at Haarlem in 1681, in the fifty-sixth year of his age. RUYTER, MICHAEL, was born at Flessingen in 1607, went to sea at eleven years of age as a cabin-boy, and rose successively until he became a warrant-officer, and in 1635 was made captain. He served for several years in the East Indies, and in 1645 was appointed rear admiral. In 1647 he attacked and sunk off Sallee an Algerine squadron.

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In 1652 he was employed in the war against England, and while accompanying a large convoy of merchantmen he met the English fleet off Plymouth. The combat was not decisive, but Ruyter succeeded in saving his convoy. In 1653 he commanded a division under Van Tromp, and was beaten by Blake, but he had afterwards an advantage over the English near the Goodwin Sands. In 1655 he was sent to the Mediterranean to chastise the pirates of Algiers and Tunis. In 1659, being sent by the States-General to the assistance of Denmark against Sweden, he defeated the Swedish fleet, as a reward for which the king of Denmark gave him a title of nobility with a pension. In 1665 he fought against Prince Rupert of England with no decisive result, and in July of the following year he was beaten by the English. In June 1667 he entered the Thames as far as the Medway, and destroyed the shipping at Sheerness. In 1671, war having broken out between France and Holland, Ruyter had the command of the Dutch fleet which was to oppose the French and the English: he fought several battles in the Channel and the German Ocean without any important result. In 1675 he was sent to the Mediterranean, and fought a desperate battle with the French admiral Duquesne, off the eastern coast of Sicily, in which his fleet was worsted, and Ruyter had both his legs shattered. He effected a retreat into the port of Syracuse, where he died of his wounds in April 1676. A splendid monument was raised to him at Amsterdam, and G. Brandt wrote his Life, Even which was translated into French, folio, Amsterdam, 1690. Louis XIV. expressed sorrow on hearing of his death, saying that "he could not help regretting the loss of a great man, although an enemy." RYCAUT, or RICAUT, SIR PAUL, was the tenth son of Sir Peter Rycaut, a merchant of London. The date of his birth is unknown, but he took his bachelor's degree in 1650 at Cambridge. In 1661 he attended the Earl of Winchelsea as secretary, when that nobleman went out as ambassador extraordinary to Constantinople. During that embassy, which lasted eight years, he made himself acquainted with the manners, customs, and religion of the Turks, and published the 'Capitulations, Articles of Peace, &c., concluded between England and the Porte in 1663,' and also The Present State of the Ottoman Empire, in Three Books, containing the Maxims of the Turkish Politie, their Religion, and Military Discipline, illustrated with Figures,' folio, London, 1668, 1670. He was afterwards appointed consul at Smyrna, which situation he held during eleven years, and exerted himself diligently in extending the commerce of England with the Levant.

On his return to England, Rycaut employed himself chiefly in literary occupations. He published The Present State of the Greek and Armenian Churches, Anno Christi 1678,' folio, London, 1680, and a History of the Turkish Empire from 1623 to 1677,' folio, London, 1680, which is a continuation of Knollys's History of the Turks.' and contains much information concerning the political resources of the Turkish empire and the manners of the Turks. It has been translated into almost all the languages of modern Europe, and has been several times reprinted.

In 1685 the Earl of Clarendon, then Lord-Lieutenant of Ireland, appointed Rycaut secretary of the provinces of Leinster and Connaught, and James II. created him a privy councillor of Ireland, a judge of the Court of Admiralty, and a knight. The revolution of 1688 deprived him of all his employments, but in 1690 he was appointed resident to the Hanse Towns. He then went to reside on the Continent, and remained there till 1700, when he returned to England for the benefit of his health, and died on the 16th of December in the same year.

Rycaut was a member of the Royal Society of London, and, in addition to his high character as a diplomatist, was celebrated for his knowledge of the learned languages and of the modern Greek, the Turkish, Italian, Spanish, and French. Besides the works already mentioned, Rycaut published a 'History of the Turks from the year 1675 to 1679,' folio, London, 1700; an English translation of Garcilasso de la Vega's 'Royal Commentaries of Peru,' folio, London, 1688; an English translation of Platina's History of the Popes,' folio, London, 1685; and an English translation of 'El Criticon' of Baltasar Gracian, folio, London, 1681.

RYLAND, WILLIAM WYNNE, one of the best English engravers of the 18th century, was born in London in 1732. He was apprenticed to S. F. Ravenet, a French engraver, who was settled in England. After the completion of his term of apprenticeship he went to Paris, and studied there chiefly under Le Bas for five years. He did not confine himself however to engraving, but applied himself also much to drawing, under Boucher, a painter of eminence, and after whom he engraved, besides some others, an excellent plate of Jupiter and Leda; he also etched some plates after Oudry while at Paris, illustrating the fables of Fontaine.

Soon after his return to England Ryland was appointed engraver to George III., with a pension of 200l. per annum. He engraved two portraits of George III. after Ramsay, and one of Queen Charlotte holding the Princess Royal on her lap after Cotes. "It is greatly to be lamented," says Strutt, in his Dictionary of Engravers, "that Ryland's engagements in the mercantile line as a printseller, deprived him of so considerable and so precious a part of his time, and prevented his pursuing the arts with that alacrity the strength of his genius required, which seemed formed for great and extensive exer.

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He was a

life ever possessed more amiable qualities than he did.
tender husband, a kind father, and a sincere friend. He frequently
straitened his own circumstances to alleviate the sorrows of others;
for his heart was always open to receive the solicitations of distress."
Ryland introduced chalk-engraving (lines composed of dots) into
England, and in the latter years of his life devoted himself exclusively
to engraving in this style, in which he had no equal, but chiefly, except
a few drawings by the old masters, after the works of Angelica Kauff-
mann, a circumstance which is to be regretted, as the works of that
lady have little to recommend them to the lovers of art. Ryland
engraved twenty-four prints after Angelica, and one of these, Edgar
and Elfrida,' a large plate, which was finished by Sharp for the benefit
of Mrs. Ryland, is one of his principal works. 'King John ratifying
the Magna Charta,' a large plate after Mortimer, and in a similar style,
was generally bought as a companion to it. Ryland left this plate
also unfinished, and it was completed by Bartolozzi, likewise for the
benefit of his widow. It is his best plate in this style; but the best
of these chalk engravings have a very inferior effect to etchings, or line
and mezzotinto engravings; the style was, however, like the insipid
drawings of Cipriani, much in vogue in the time of Ryland and
Bartolozzi.

As an etcher, or where the needle and graver are combined, Ryland was also excellent. The prints which he engraved in France were executed in this style, and Watelet terms his execution in this style most picturesque, and adds that one would suppose his etchings to be the work of a painter. The chalk manner is exactly in its place in imitations of chalk drawings, of which there are no better examples than Ryland's own in the fine Collection of Drawings published by Charles Rogers, as the two of St. Francis, after Carlo Maratti and Guercino, and many others. This work is entitled 'A Collection of Prints in imitation of Drawings; to which are annexed Lives of their Authors, with explanatory and critical Notes, by Charles Rogers,' &c., 2 vols. folio, London, 1778; containing in all 116 prints, some of considerable size, of which 57 are by Ryland, besides the admirable mezzotinto portrait of Mr. Rogers at the commencement of the work. RYMER, THOMAS, the learned editor of the great collection of documents relating to the transactions of England with foreign powers, popularly known as Rymer's Foedera,' was one of the many sons of Ralph Rymer, of the neighbourhood of Northallerton, who had renin his office of Sequestrator, and becoming implicated in the northern insurrection of 1663, was thereupon executed. Thomas was born in 1638 or 1639, and educated under an excellent schoolmaster at the grammar-school of Northallerton, where he was a class-fellow with the learned Dr. George Hickes. He was removed to Sidney College, Cambridge, and was entered of Gray's-inn in 1666.

Strutt, whose work was published only two years after Ryland's execution, seems to have abstained, from delicacy probably towards his widow, from a more particular notice of the disgraceful termination to his brother engraver's otherwise successful career. As this case is not known and as Ryland persisted in his innocence to the last, it may be here briefly related as the facts appeared on the trial:Ryland appears to have been a discounter of bills, and that he was otherwise commercially engaged as a printseller, has been already noticed. He had once failed in this business, but he afterwards honourably repaid all his creditors in full, though not bound to do so by law. In the spring of 1783 the agents and servants of the East India Company in London appear to have detected several forgeries of their bills, and suspicion attached to Ryland, apparently in more than one case. He received however intimation of his approaching arrest, and by the advice of his wife concealed himself, whereupon the East India Company immediately offered a reward for his detection. He had concealed himself in the house of a shoemaker at Stepney, under the name of Jackson: having however given the man some shoes to mend, the shoemaker discovered the real name of his lodger, and gave notice to the police. When Ryland found that he was discovered, in a fit of despair he attempted to cut his throat: the attempt failed, but he seriously injured himself. A true bill was found against him by the grand jury, June 5, and he was tried at the Old Bailey July 26, before Judge Buller. The specific charge against him was for forging and uttering knowing to be forged a bill of 210. on the East India Company. The case for the prosecution was this: Ryland had uttered or negociated two bills on the East India Company for 210l. and of the same date, the original bill in May 1782, and the forged bill in November of the same year. The two bills were so much alike that none could swear which was the true bill, except by two small holes through which a needle and thread had passed; and, what was of chief importance, the paper-maker gave evidence to the paper of the other bill being made after the date of the bill. The first bill had beendered himself obnoxious to the Royalists in the Commonwealth times fairly negociated, but the party from whom Ryland asserted that he had received the second, a Mr. Hagglestone, was nowhere to be found. These facts and the circumstances of his flight and attempted suicide were urged against him by the counsel for the prosecution. Ryland made his own defence, but owing to the soreness of his throat from his recent attempt, it was written, and read by the clerk of the court: the following were its concluding words, as reported in the 'Morning Herald' of July 28:-"The prosecution has endeavoured to substantiate my guilt by my flight; but let them figure to themselves the fears, the dread, the horrors, of an honest mind, pursued by officers of justice, to take my life, if I could not prove my innocence; let them reflect on the tears, the entreaties and prayers of a fond, loving, and beloved wife, and then conclude my guilt from my flight. They have also presumed to drag into evidence my attempt on my own life. I confess the attempt with shame, horror, and remorse; driven into a state of insanity, how then will they, how can they, torture insanity into a proof of my guilt! Two bills, one a good one, one a bad one, have been attempted to be proved in my possession; supposing that to be true, can any man say either is the forged one? Mr. Holt, from his infirmity, may easily make a mistake; and where then is any forgery? I cannot think that the court and jury will sacrifice my life to presumption, and, where there is a possibility of innocence, take it away on groundless suspicions." He was found guilty of uttering the bill knowing it to be forged.

After the verdict was pronounced, which he bore with the greatest calmness, he merely observed-"I dare not challenge the justness of my verdict: I am however conscious of my innocence; and I hope that my life will be preserved by the royal clemency of my sovereign, on whose bounty it has long subsisted." He heard his sentence pronounced without being moved, and retired from the court as if unconcerned in the proceedings. He was executed at Tyburn on the 29th of August, about twelve o'clock, in company with five other convicts, four of whom were executed for highway robbery and burglary, the fifth for forgery. The execution was delayed some time by a violent thunder-storm. A white handkerchief was bandaged round the cap of Ryland. The curiosity of the public was so great to witness the execution of this unfortunate man, that as much as ten guineas were paid for a single room which commanded a view of the barbarous and disgusting exhibition: so great a concourse of people had not met for a similar purpose since the execution of Dr. Dodd six years previously. Character and probability were much in favour of Ryland's innocence, though circumstantial evidence was against him. He was wealthy, according to his own account. Besides the salary of 200l. per annum as engraver to the king, he exercised a very lucrative profession, possessed a great stock in trade, and had a large property in the Liverpool water-works; and many witnesses bore testimony to his high character. Strutt says of him-" He was a man respected and beloved by all that were acquainted with him; for few men in private

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He does not appear to have attained any eminence in the law. He rather devoted himself to polite literature, till he was named the historiographer royal, and appointed editor of the 'Foedera.' His first publication is a play, published in 1677, entitled 'Edgar, or the English Monarch.' This was followed in the next year by his letter to Fleetwood Shepherd, 'The Tragedies of the Last Age considered and examined by the Practice of the Ancients and by the Common Sense of all Ages. In 1683 appeared his translation of the Life of Nicias, by Plutarch, which is found in the collection of the 'Lives translated into English by several Hands.' In 1684 he published a tract on the antiquity, power, and decay of Parliament, which was reprinted in 1714, on occasion of the expulsion of Richard Steele, Esq., the member for Stockbridge. In 1693 he published ‘A short View of Tragedy; its Original Excellency and Corruption: with some Reflections on Shakspere and other practitioners for the Stage.' This is the work in which he attacks some of Shakspere's tragedies in a manner ludicrously absurd. In 1694 appeared his translation of M. Rapin's Reflections on Aristotle's Treatise of Poesie.' There are other minor tracts by him, among which is probably to be reckoned the Life of Thomas Hobbes,' printed 'apud Eleutherium Anglicum sub signo Veritatis, 1681.'

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On December 23, 1692, he was made historiographer royal, a post which had been held by Shadwell and Dryden. The salary was 2001. per annum. There was at that time a scheme for publishing a corpus of the documents which remain connected with the transactions between England and other states. It was intended that it should be a large and comprehensive work, honourable to the English nation, and useful to the historical inquirers, not only of England but of all other countries. The patrons of this magnificent design were Montagu, who was afterwards Earl of Halifax, and Lord Somers. The execution of it was committed to Rymer. His duties were twofold: first, to collect the instruments themselves, which were to be found chiefly in the chronicles and in the depositaries of public records, particularly the Tower of London and the Chapter-House at Westminster; secondly, to print accurate copies of them. The first volume appeared in 1703, and it was followed by others in quick succession, the later volumes being carried through the press by Sanderson, who had assisted Rymer almost from the beginning.

The work did not disappoint the expectations of the public. It entirely changed the face of the histories of our own country, as may be seen by Rapin's History, and it was hailed with great satisfaction by all the historical writers of Europe. Large as the work was, there have been three editions of it. A fourth was undertaken by the

219

RYSBRACK, PETER.

Commissioners on the Public Records, in which it was proposed to
incorporate other documents, which had been discovered since the
time of Rymer. This edition extends only to the close of the reign of
Edward III. There are in the British Museum a great number of
transcripts of documents made under Rymer's direction not used in
his work.
Notwithstanding his appointment of historiographer, and whatever
remuneration he might receive for his labours on the 'Federa,'
Rymer became exceedingly poor in the latter part of his life. He died
December 14, 1713, in Arundel-street, in the Strand, and was buried
in the church of St. Clement Danes.
RYSBRACK, RYSBRAECK, or RYSBRECHTS, PETER, was born
at Antwerp, in 1657, and studied landscape painting under Francis
Milé, whom he accompanied to Paris. He followed the style of Poussin,
in imitating whom he was pre-eminently successful. Notwithstanding
large offers and flattering encouragement to remain in France, he
returned to his native city, and in 1713 was made director of the
Academy there. The landscapes of Rysbrack are distinguished by
grandeur of style, which, though founded on an imitation of the admir-
able productions of Nicholas Poussin, possess sufficient originality to
secure him from the imputation of plagiarism. Indeed he painted in
the spirit rather than copied the works of that great artist, though
there is a want of variety in his pictures, which places them, in the
estimation of connoisseurs, far below those of Poussin. Rysbrack's
colouring is harmonious, his touch is bold and free, and he possessed
great facility of execution. He died in 1716.
The date of the birth and the birth-
RYSBRACK, MICHAEL
place of this distinguished Flemish sculptor are differently given by
different writers; but Charles Rogers, the publisher of the Century
of Drawings,' &c., who was well acquainted with him, states that he
was born at Antwerp, June 24, 1693. He was the son of the landscape-
painter Peter Rysbrack, who, after he had given his son some instruction
in design, placed him in 1706 with the sculptor Michael Vander Vorst,
with whom he remained six years.

In 1720 Rysbrack came to London, and distinguished himself for his small models in clay. He was the first sculptor who was extensively employed in England, and he spread a general taste for the art over the country by his fine monumental works. His progress in London was at first slow, and his first work which attracted notice was a bust of the Earl of Nottingham. He was for some time engaged by Gibbs, who contracted with the original parties for monuments, for which he on his part contracted with Rysbrack, greatly to his own advantage. For instance, Gibbs received from Lord Oxford 100l. each for the statues on Prior's monument in the south transept (or Poet's Corner) in Westminster Abbey, while he gave Rysbrack only 351. each. Rysbrack however soon became aware of his own merit, and shook off all dependence on Gibbs. Engagements crowded upon him, and there was not a work of sculpture of any consequence undertaken in England that was not intrusted to Rysbrack. When men found, says Walpole, that there was a man capable of furnishing statues, the taste for monuments was much improved and greatly spread.

Rysbrack, unlike most of the artists of his age, studied exclusively nature and the antique; he had no respect for the works of his great countryman Rubens, and those of Rembrandt he would not look at, in which he was of course actuated wholly by the feelings of a sculptor, form and character being his exclusive study. He was a most industrious sculptor: fine works are to be seen by him in many parts of England, but especially in Westminster Abbey, at Blenheim, at Stourhead, and at Bristol. In few sculptors' workshops has there been more activity than there was in those of Rysbrack in Vere street, Oxford-street, during about forty years of the half century that he dwelt in England, though latterly, through his successful rivals Scheemaker and Roubiliac, his occupation sensibly diminished.

Rysbrack's busts were very numerous, and include those of many distinguished characters. His first great public work was the bronze equestrian statue of William III., which was made for the city of Bristol, and erected in Queen's-square in 1733. Scheemaker also competed for this statue, and his model was thought so excellent that he was presented with 50%., though it was rejected for the design of

SAAD-ED-DEEN.

The

Rysbrack, who received 3000l. for it: Walpole says 18002
monument to Sir Isaac Newton in Westminster Abbey, which wa
exposed in 1781, was executed by Rysbrack from a design by Keut
One to Mrs. Oldfield, in the cloisters, put up the year before, was
In 1735 he finished a colossal statue of George II for the parade
apparently his first independent monument in the abbey.
of Greenwich Hospital, at the expense of Sir John Jennings, the then
governor: it was cut out of a single block of marble weighing eleven
tons, which had been captured from the French by Sir George Rooke
Exchange, London. He obtained however most reputation by Lis
He made also the statue of George II., which was in the old Royal
monument to John, Duke of Marlborough, and his duchess in the
chapel at Blenheim. They are represented with their two sons, who
died young, supported by Fame and History; in the lower part is
basso-rilievo of the surrender of Marshal Tallard: the style is however
very far removed from the purity and severity of monumental sculpture
of a high order. At Blenheim also, in the library, is a beautiful marble
statue of Queen Anne: it was erected in 1726. In Christchurch College
Oxford, there is a statue of Locke by Rysbrack, executed in 1757. lis
college contains also some busts of distinguished members by Rysbrack
Besides what have been already mentioned there are the following
monuments by him in Westminster Abbey:-to Admiral Vernon, and
Richard Kane, governor of Minorca, in the north transept; to James,
Earl Stanhope, in the north aisle; to John Friend, M.D.; and John
John Gay, Nicholas Rowe, John Milton, and Ben Jonson, in the south
Methuen, in the south aisle; to Sir Godfrey Kneller, in the nave; to
transept, or Poet's Corner; and one to Daniel Pulteney in the
cloisters.

The erection of Shakespere's monument by Scheemaker, in West-
minster Abbey, is said to have greatly obscured the reputation of
Rysbrack; but it only stimulated the industrious sculptor to make
still greater exertions. This rivalry was the cause of his making his
his masterpiece, the Hercules, at Stourhead, the seat of Sir Richard
Palladio, Inigo Jones, and Fiammingo, at Chiswick; and subsequently
of the English gymnasium or amphitheatre for boxing, an institution
Colt Hoare. This Hercules is a species of historical figure, a record
their career by being hanged. The figure was made for Henry Hoare,
which was put an end to, as the principal gymnasiasts generally ended
Esq., who built a temple expressly for it. It is of the heroic size,
seven feet high, and cost Rysbrack three years' labour. The head is
different English frequenters of this gymnastic amphitheatre. The
copied from the Farnese Hercules; the limbs are taken from several
arms,' says Walpole, were Broughton's; the breast a celebrated coach-
man's, a bruiser; and the legs were those of Ellis the painter, s
great frequenter of that gymnasium.'

There are many other statues by Rysbrack-as a Flora from the antique, at Stourhead; the Duke of Somerset, at Cambridge, presented by his daughters the Marchioness of Granby and Lady Guernsey; Charles Duke of Somerset and his Duchess, in Salisbury Cathedral; British Museum; Lady Folkestone, Coleshill, Berks; Lady Besborough, Sir Hans Sloane, in the botanical garden at Chelsea, and his bust in the Derby; the second, third, and fourth Dukes of Beaufort, at Badmin ton, Gloucestershire; Dr. Radcliffe, at Oxford; John Willet, Esq., Merly House, Dorsetshire; a statue of Charles I., for George Selwyn; and the following busts:-Pope, Gibbs, Sir Robert Walpole, Duke and Duchess of Argyle, Lord Bolingbroke, Wooton the landscape painter, Martin Folkes, Ben Jonson, Butler, Milton, Cromwell, the heads in were executed for the Elysian Fields at Stowe: he made also a good the Hermitage at Richmond, and those of the English Worthies which bust of himself. Notwithstanding his industry, Rysbrack was not rich, and when at the age of seventy he gave up his profession, he lections of prints, pictures, drawings, marbles, casts, models, &c, inmade a sale of his principal effects-his remaining works and his col were conceived and executed in the true taste of the great Italian cluding a large collection of his own drawings, which, says Walpole, was in making such drawings in bistre, and many were sold at two masters. The chief amusement of the last three years of his life auctions of his effects which took place after his death. He died January 8, 1770.

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SAAD-ED-DEEN (KHOJA SAAD-ED-DEEN MOHAMMED EFFENDI), the
most celebrated of the Turkish historiographers, was born in the
Hassan-Jan, his father, a
early part of the 16th century of our era.
Persian by birth, held a post in the household of Sultan Selim I., and
was highly esteemed by that ferocious monarch, whom he attended in
his last moments. His son Mohammed received his education among
the pages of the imperial palace, and having devoted himself to the
study of Moslem theology and jurisprudence, became a muderris, or
professor in the college attached to the great mosque of St. Sophia.
The talents and learning which he displayed in this capacity gave him
high celebrity, and he was appointed by Selim II., in 1573, khoja, or
preceptor to his son Mourad, the heir apparent, who then held the
government of Magnesia. The death of Selim, in December 1574,

S

called Mourad to the throne; and Saad-ed-deen was nominated unlimited influence over his imperial pupil, who had recourse to his cadhilesker, or military judge; but he continued to retain almost advice in matters of government so constantly as to excite the jealousy of the vizirs; and an attempt was made to ruin him by representing the erection of an astronomical observatory, which the sultan had founded at his instigation near Top-khana, as an evil omen for the stability of the empire. But though the observatory was demolished by the superstitious fears of Mourad, the favour with which he regarded Saad-ed-deen was unimpaired; and Mohammed IIL, who succeeded in 1595, continued to entrust the confidential adviser of his father with the management of the most secret diplomatic relations of the empire. The Khoja-Effendi (as Saad-ed-deen is fre

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quently termed by Oriental writers) even attended Mohammed in the Hungarian campaign of 1596; and the victory of Keresztes is ascribed in a great measure to his exhortations, which prevented the sultan from abandoning the field at the moment of extreme peril. He however incurred a temporary disgrace immediately afterwards by his advocacy of the cause of the fallen vizir Cicala; but he was speedily restored to favour, and on the death of the Mufti Bostan-Zadah, March 1598, was raised to the highest ecclesiastical dignity by the sultan, in spite of the opposition of the Grand-Vizir Hassan, who proposed the elevation of the celebrated poet Baki. He did not however long survive his exaltation, dying suddenly in the mosque of St. Sophia, as he was preparing for prayers on the anniversary of the birthday of the prophet, October 2, 1599 (not 1600, as stated in the 'Biog. Univ.), A.H. 1008, and was interred in the cemetery of the mosque of Ayub, whither his remains were borne by his four sons, two of whom at subsequent periods also held the dignity of mufti.

The great historical work of Saad-ed-deen, composed by order of Mourad III. (who created for the author the new office of Shahnamehdji, or imperial historiographer), is entitled 'Tadj-al-Towarikh,' or the crown of histories, and gives a full and copious narrative of the history of the empire, from its foundation in 1299 by Othman, to the death of Selim I. in 1520; the materials are principally drawn from the previous works of Neshri, Moulana Edris, and Kemal-pasha-Zadah; but its chief merit, in the estimation of the Turks, consists in the florid and elaborate beauty of the diction, in which the author is certainly unrivalled by all other Turkish historians. Sir W. Jones has pronounced that "for the beauty of its composition and the richness of its matter, it may be compared with the finest historical pieces in the languages of Europe;" but the meaning is too often concealed by a cloud of rhetorical tropes, and it is impossible to forget in the perusal of the work that it is the production of a courtier. It is singular that this valuable work has never yet been printed at the imperial press of Constantinople; but manuscript copies are frequent in European libraries, and an Italian version was published by the Ragusan Vincenzo Bratutti (4to, part i., Vienna, 1616; part ii., Madrid, 1652), under the title 'Cronaca dell' Origine e Progressi degli Ottomani, composta da Saidino Turco, e tradotta in Italiano;' small portions have also been translated by Kollar, and by Grangenet de la Grange. A Turkish abridgement of the work, with a continuation, was published in 1696 (A.H. 1108), with a dedication to Sultan Mustapha II., by Saadi-Effendi of Larissa; and the resemblance of name has often led to this work (which served as the basis for the inaccurate compilation of Cantemir) being confounded with the great history of Saaded-deen. (See Von Hammer, in 'Journal Asiatique,' January 1824.) Besides this great work, Saad-ed-deen was the author of the 'SelimNameh,' a history of Selim I., or rather a collection of anecdotes of that prince, related to him by his father Hassan Jan; this compilation, which is divided into fourteen sections, is valuable for its authenticity. His descendants appear to have flourished for several generations, and to have inherited the talents of their ancestor; two of his sons, as already noticed, Mohammed-Effendi and Assaad-Effendi, attained the rank of mufti; and a grandson or great-grandson of the latter, MollahFayez, is mentioned as an eminent legist by Sheikhi, who notices his

death in 1724.

(Von Hammer, Histoire de l'Empire Ottomann; D'Herbelot; Biographie Universelle; Journal Asiatique.) SAADI, or (as his name is written in full in Arabic or Persian) SHEIKH MOSLIH EDDIN SAADI ALSHIRAZI, the first part of the name being a title of honour, the two next words his epithet, and the last expressive of his being a native of the city of Shiraz, where he was born in the year of the Hegira 571 (A.D. 1175-76). He is probably better known by name to the European reader than any other poet or writer of the east except Mohammed; and while this European reputation may be in some measure attributed to his renown amongst his own countrymen, a circumstance which would naturally recommend his work for perusal and translation to the few Persian students of two hundred years back, it may be also in a great degree ascribed to the simplicity and elegance of his style, so like that of the best periods of Christian literature, and so unlike that of the great mass of Persian writers. Saadi led the life of a dervish, or wandering monk, and passed most of his early years in travelling from one country to another. In the course of these journeys he was taken by the Crusaders and put to labour on the fortifications of Tripoli. He was redeemed from this slavery by a rich merchant, who afterwards gave him his daughter in marriage, with a dowry of an hundred pieces of gold. This is alluded to in the Gulistan' (tale xxxi. of ch. ii., p. 99 of Gladwin's translation, London, 1808). The lady sorely exercised the poet's patience. "Once," says he, "she reproached me, saying, Art thou not he whom my father redeemed from captivity amongst the Franks for ten dinars? I answered, Yes, he ransomed me for ten dinars, and put me into your hands for a hundred." A story of a livelier character is told of his meeting with a brother poet, Hemám of Tabriz, who, ignorant of the name, and knowing only the birthplace of his companion, held out to him the bottom of a cup (the Shirazians were noted for their early baldness), and asked, "Why are the heads of the Shirazians like this?" The dervish turned the hollow of the cup to Hemám, and asked, "Why are the heads of the Tabrizians like this!" Hemám asked his companion if he knew any of the verses of

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Saadi, and the dervish repeated some of the most beautiful. He then inquired, "Do they make much esteem there of the poems of Hemám?" Saadi elegantly quoted a couplet of his companion's :"Between the object of my love, Hemám, and me, a veil is drawn,

But it is time the veil should be drawn back, and we enjoy the sight of one another: "

and thus the illustrious poets were made acquainted. Another anecdote shows, in the fanciful language of Persian imagination, the high esteem in which the writings of Saadi were held even during his lifetime. Indeed he was fortunate enough to add a large share of this enjoyment of fame to the renown which 600 years have not diminished. A holy man of Shiraz, says the story, dreamed that he heard all the angels of heaven singing a verse which he could not understand, but which he was told was a couplet of Saadi's and that it would be sung in heaven for a year to come. In the morning he went to the cell of the now recluse poet, and found him repeating the distich:

"On the green trees the clear eye of the wise beholdeth

In every leaf a book of the wisdom of God."

Saadi died in 1291, at the age of 116 years, having spent, it is said, thirty years in travelling and in military service, during which, his wanderings reached as far as India on one side, and Asia Minor, or perhaps Eastern Europe, on the other; thirty years in religious solitude, digesting the results of his life of observation; and the twelve last years of his life in putting into a permanent form the fruits of the preceding sixty. During this long life he performed the pilgrimage to Mecca fifteen times; the first time in the company of his teacher, Abdolkadir Ghiláni. He lived under the patronage of the Atabeg princes, Saad Ben Zenghi, and his successor, Abubekir Ben Saad. From the former of these princes, his father, who was in the royal service, gave his son the name of Saadi: this in the East is a not unusual mode of naming both men and books, and the name is often 80 contrived as to form a sort of 'jeu de mots.'

The works of Saadi, collected by Ahmed Nasik Ben Sesán, consist of the Gulistan, Bostan, Gazels (or odes), Kasaid (or elegies), Mokataat (fragments), Rubayat (quatrains), and essays of various kinds in prose. Of all these the best known are the Gulistan and the Bostan. The former is a collection of stories, in prose, but intermixed with verses of the author's own composition, or borrowed from the writings of others, a mode of writing which the Eastern imaginative writings much affect. The Gulistan is divided into eight chapters: on the morals of kings; on the morals of dervishes; on the excellency of contentment; on the advantages of taciturnity; on love and youth; on imbecility and old age; on the effects of education; and rules for conduct in life. The first seven chapters consist chiefly of moral stories, some of them apparently from real history, others fables, each in some degree bearing upon the subject of the chapter, and having its moral interwoven in its texture. The last chapter is rather a collection of apophthegms, though a part of this also is narrative. These stories are not connected by a general thread of narrative, as is the case with most oriental collections (the reader will remember the general and subordinate stories which connect the histories of the Arabian Nights and the Fables of Pilpay); they follow one another without any link, except that of their allusion to a common subject. Of this book there have been many translations: into French by Du Ryer, who was French consul at Alexandria, Paris, 1634; by Du Ryer, from the original by Gaudin, 1789; and by Semelet, Paris, 1834; into German by Ŏlearius, who, in his preface, acknowledges the assistance of an old Persian literator named Hakwird, and mentions an earlier German translation made from the French of Du Ryer, and soon after the appearance of the latter. The translation is spirited, and so are the copper-plates. This version was published at Sleswig in 1654, and a Dutch translation from the German appeared at Amsterdam in the same year. Olearius also translated the Bostan (a somewhat similar collection to the Gulistan, but all in verse) into German. A recent German version is that of K. H. Graf, Leipzig, 1846; who also made a translation of the Bostan (Lustgarten), 2 vols. 1850. The Gulistan was translated into English by Gladwin, London, 1808; by Ross for the Asiatic Society; and by Eastwick, in prose and verse, Hertford, 1852. This is an excellent translation, and a beautiful specimen of typography. The whole works of Saadi, in the original Persian and Arabic, were printed at Calcutta, in 2 vols., small folio, edited by Harrington (1791). The text of the Gulistan appeared first in the edition of Gentius, Amsterdam, accompanied by a Latin translation and notes. Gladwin published the text at Calcutta in 1806, which was reprinted in London in 1809. The text, with the translation in parallel columns (by Jas. Dumoulin), was printed at Calcutta in 1807, and there have since been more than one lithographed edition, one of which, we believe, has the Bostan on the margin-a form in which the two works often appear in manuscripts. Professor Falconer has given the Persian student an elegant selection from the Bostan, lithographed, containing about onethird of the whole work, and has also inserted in the 'Asiatic Journal' several excellent versions of detached stories, accompanied by the text, as collated from several copies, and by critical notes. Dr. A. Sprenger published an edition with punctuation and vowel marks at Calcutta, 1851; and Mr. Eastwick printed an edition collated with several original manuscripts, and accompanied with a vocabulary, Hertford,

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