To the Rescue of Art: Twenty-Six EssaysUniversity of California Press, 1992 - 248 The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat 'that the work crew charged with erecting the edifice of our principles is infiltrated by termites.' |
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abstract abstract art activity aesthetic architecture artist aspects Badt basic behavior Berkeley blind body California Press caricature causality century cognitive color complementarity complex components composition conception context Cubism culture derived describe deviation double truth drawings dynamic early elements example existence experience expression eyes fact figure figure and ground forces function gestalt psychology gestalt theory Guernica Hans Prinzhorn haptic Honoré Daumier human mind imagery indispensable interaction limited look Max Wertheimer meaning medium mental Museum Nadia's nature objects observed offer organization painter painting particular patterns Paul Klee perceived perceptual person philosophy physical Picasso's picture practical present principles Prinzhorn problem purely reality REFERENCES Arnheim relation religion religious representation Rudolf scene scientific sculpture sense sequence shapes simple social space spatial structure style subject matter symbolic things tion traditional true University of California viewer vision Visual Perception Wertheimer whole Wolfgang Köhler writing York