Patterns in Shakespearian TragedyMethuen, 1960 - 205 |
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Strona 124
... Edgar invokes what Edmund denies , a belief in a benevolent God who visits upon men their just deserts . Similarly Edgar and Cordelia stand for the perfection of nature and the magnificence of individual man , while Edmund stands for ...
... Edgar invokes what Edmund denies , a belief in a benevolent God who visits upon men their just deserts . Similarly Edgar and Cordelia stand for the perfection of nature and the magnificence of individual man , while Edmund stands for ...
Strona 134
... Edgar should remind his dying brother of his bastardy . But Edgar is not a real person ; he is a dramatic device which Shakespeare uses to perform certain specific functions with- in his larger design.1 His speech here is not designed ...
... Edgar should remind his dying brother of his bastardy . But Edgar is not a real person ; he is a dramatic device which Shakespeare uses to perform certain specific functions with- in his larger design.1 His speech here is not designed ...
Strona 135
... Edgar becomes a symbol of divine justice triumphing over evil to reassert the harmony of God's natural order . The blast of his trumpet as he goes into combat is a symbolic echo of the last judgement . There is little logic in Edgar's ...
... Edgar becomes a symbol of divine justice triumphing over evil to reassert the harmony of God's natural order . The blast of his trumpet as he goes into combat is a symbolic echo of the last judgement . There is little logic in Edgar's ...
Spis treści
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
Prawa autorskie | |
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accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition tragic hero universe unnatural victory virtue Volumnia Wilson Knight wrong moral choice