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Strona 62
The introductory speeches of the first three acts are, however, in rimed lines, the
sense of which is not confined within the couplet. The Choric Ode at the end of
Act I. is in rimed octosyllabics; that at the end of Act II. in the “In Memoriam ' metre,
...
The introductory speeches of the first three acts are, however, in rimed lines, the
sense of which is not confined within the couplet. The Choric Ode at the end of
Act I. is in rimed octosyllabics; that at the end of Act II. in the “In Memoriam ' metre,
...
Strona 62
The introductory speeches of the first three nf-t<( are, however, in rimed lines, the
sense of which is not confined within the couplet. The Choric Ode at the end of
Act I. is in rimed octosyllabics ; that at the end of Act II. in the ' In Memoriam ' metre
...
The introductory speeches of the first three nf-t<( are, however, in rimed lines, the
sense of which is not confined within the couplet. The Choric Ode at the end of
Act I. is in rimed octosyllabics ; that at the end of Act II. in the ' In Memoriam ' metre
...
Strona 88
In a recent issue of The Liverpool Daily Post and Mercury the following lines were
quoted : — Listen to this, all ye Arminians ; H ear what St. Paul says of your rotten
opinions ; and a statement was repeated that they had appeared originally in ...
In a recent issue of The Liverpool Daily Post and Mercury the following lines were
quoted : — Listen to this, all ye Arminians ; H ear what St. Paul says of your rotten
opinions ; and a statement was repeated that they had appeared originally in ...
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