Poetry as a Representative Art: An Essay in Comparative AestheticsG.P. Putnam's Sons, 1899 - 356 |
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accented syllable æsthetic alloyed artistic beginning cæsura CHAPTER character circumflex clouds comparison connection corresponding dark developed direct representation effects elements elocution elocutionary emotive expression eyes fact falling feeling feet figurative language force G. P. PUTNAM'S SONS give Greek heaven heigh-ho hexameter Homer ideas Idem Iliad illustrative representation imitative sounds inflection instance instinctive Jean Ingelow Julius Cæsar kind light Longfellow meaning metaphors methods metonymy metre Milton mind movement nature Notice o'er Othello Paradise Lost passage pause picture pitch plain language pleonasm poem poet poetic poetry present principles produced prose quotations reason recognize reference reflective repre rhymes rhythm rising says sense sentence Shakespear simile singing Song soul stanza stream stress suggested sweet syllables tendency Tennyson termed terminal thee theory thing thou tion tone triple measure truth unaccented syllables utterance verse voice vowels wind words Wordsworth