A Manual of Sixteenth-century Contrapuntal Style
University of Delaware Press, 1989 - 142
This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.
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Notation and Text Underlay
Cadence and Modulation
Quarter Notes and Leaps
TwoVoice Counterpoint with All Note Values
TwoVoice Compositions for Analysis
Note Values and Rests
Style and Contour
Beginning Melody Writing
Contour and Rhythmic Aspects
Summary and Application
Beginning TwoVoice Counterpoint
Contour and Linear Movement
Melody Writing with All Note Values
Counterpoint in Four Voices The Motet
Counterpoint in More Than Four Voices The Mass
Double and Triple Chorus Polychoral Style
List of Musical Examples
Kluczowe wyrazy i wyrażenia
addition approach ascending augmented bass beat becomes beginning Benedictus cadence canon cel sis century choirs chord complete composers composition consonant contains continuing contrapuntal counterpoint creating descending direction dissonance dominant doubled employed ending enter Example EXERCISE fifth final four fourth frequently half note Hosanna imitation included initial intervals inversion Lasso leading leap lines Lord lower voice major Mass measure melody meter minor Missa mode motet move movement notation note values Notice Observe occur octave opening original Palestrina passage passing tone Penitential Psalms phrase Phrygian pitch points polyphonic portamento preceding present Psalms quarter notes range relation relationships repeated resolution rests rhythm rhythmic sense setting singing sixteenth sixteenth-century sixth soprano sound step stepwise style suggested suspension syllable texture theme third Translation triad triple upper voice usually verse voice whole note writing
Strona 89 - Let them praise the name of the LORD; For his name alone is exalted: His glory is above the earth and heaven.
Strona 89 - I have acknowledged my sin to thee; and my injustice I have not concealed. I said, I will confess against myself my injustice to the Lord ; and thou hast forgiven the wickedness of my sin.
Strona 89 - Thou shalt arise and have mercy on Sion: for it is time to have mercy on it, for the time is come.
Strona 93 - For he that is mighty hath magnified me : and holy is his Name. And his mercy is on them that fear him : throughout all generations.
Strona 89 - Praise ye the Lord in his holy places : praise ye him in the firmament of his power. Praise ye him for his mighty acts: praise ye him according to the multitude of his greatness. Praise him with sound of trumpet : praise him with psaltery and harp. Praise him with timbrel and choir : praise him with strings and organs. Praise him...
Strona 89 - Kings of the earth and all people : princes and all judges of the earth. Young men and maidens : let the old with the younger praise the name of the Lord : for his name alone is exalted. The praise of him is above heaven and earth : and he hath exalted the horn of his people. A hymn to all his saints : to the children of Israel, a people approaching to him.
Strona 89 - From the morning watch even until night, let Israel hope in the Lord. Because with the Lord there is mercy : and with Him plentiful redemption.
Strona 89 - For the enemy hath persecuted my soul; he hath brought down my life to the earth. He hath made me to dwell in darkness, as those that have been dead of old. And my spirit is in anguish within me, my heart within me is troubled.
Strona 16 - Ve - ni, Cre - a - tor Spi - ri - tus, Men - tes tu - o - rum vi - si - ta, Im - pie su - per - na gra - ti - a, Quae tu ere - a - sti pe - cto -• ra.
Strona 89 - Have mercy on me, O Lord, for I am weak ; heal me, O Lord, for my bones are troubled. And my soul is troubled exceedingly ; but thou, O Lord, how long?
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