Jul. And she shall thank you for't, if e'er you know her. A virtuous gentlewoman, mild, and beautiful. To make my master out of love with thee. [Exit. ACT V. 1 Regardful. V. Merchant of Venice, Act V. Sc. I. 2 The word statue was formerly used to express a portrait, and sometimes a statue was called a picture. SCENE 1. The same. An Abbey. Enter EGLAMOUR. Egl. The sun begins to gild the western sky; And now it is about the very hour Unless it be to come before their time; So much they spur their expedition. Enter SILVIA. See where she comes; Lady, a happy evening! Sil. Amen, amen! go on, good Eglamour! Out at the postern by the abbey wall; I fear I am attended by some spies. Egl. Fear not: the forest is not three leagues off: If we recover that, we are sure enough. [Exeunt. SCENE II. The same. A Room in the Duke's Palace. Enter THURIO, PROTEUS, and JULIA. Thu. Sir Proteus, what says Silvia to my suit? And yet she takes exceptions at your person. Pro. No; that it is too little. Thu. I'll wear a boot, to make it somewhat rounder. Pro. But love will not be spurred to what it loathes. Thu. What says she to my face? Pro. She says it is a fair one. Thu. Nay, then the wanton lies; my face is black. Pro. But pearls are fair; and the old saying is, Black men are pearls in beauteous ladies' eyes. Pro. Ill, when you talk of war. Jul. 'Tis true; such pearls as put out ladies' eyes; For I had rather wink than look on them. [Aside. Thu. How likes she my discourse ? Thu. But well, when I discourse of love and peace? Jul. But better indeed, when you hold your peace. [Aside. Thu. What says she to my valor? Pro. O, sir, she makes no doubt of that. Jul. She needs not, when she knows it cowardice. Thu. What says she to my birth? Pro. That you are well derived. [Aside. [Aside. Jul. True, from a gentleman to a fool. Thu. Considers she my possessions? Pro. O, ay; and pities them. Thu. Wherefore? Jul. That such an ass should owe1 them. [Aside. Pro. That they are out by lease.2 Jul. Here comes the duke. Enter DUKE. Duke. How now, Sir Proteus? how now, Thurio? Which of you saw Sir Eglamour of late? Thu. Not I. Pro. Nor I. Duke. Saw you my daughter? Pro. Neither. Duke. Why, then she's fled unto that peasant Val entine; And Eglamour is in her company. 'Tis true; for ariar Laurence met them both, As he in penance wandered through the forest; Him he knew well, and guessed that it was she : But, being masked, he was not sure of it: 1 i. e. possess them, own them. 2 By Thurio's possessions he himself understands his lands. But Proteus chooses to take the word likewise in a figurative sense, as signifying his mental endowments, and when he says they are out by lease, he means, that they are no longer enjoyed by their master (who is a fool), but are leased out to another. Besides, she did intend confession At Patrick's cell this even: and there she was not: • That leads towards Mantua, whither they are fled : Thu. Why, this it is to be a peevish girl, [Exit. [Exit. Pro. And I will follow, more for Silvia's love, Than hate of Eglamour that goes with her. [Exit. [Exit. Jul. And I will follow more to cross that love, Than hate for Silvia, that is gone for love. SCENE III. Frontiers of Mantua. The Forest. Enter SILVIA and Outlaws. Out. Come, come; Be patient, we must bring you to our captain. Have learned me how to brook this patiently. 1 Out. Where is the gentleman that was with her? 3 Out. Being nimble-footed, he hath outrun us, But Moyses and Valerius follow him. Go thou with her to the west end of the wood; 1 Out. Come, I must bring you to our captain's cave: Fear not; he bears an honorable mind, And will not use a woman lawlessly. Sil. O Valentine, this I endure for thee! [Exeunt. VOL. I. 19 SCENE IV. Another Part of the Forest. Enter VALENTINE. Val. How use doth breed a habit in a man! This shadowy desert, unfrequented woods, I better brook than flourishing, peopled towns: Here can I sit alone, unseen of any, And, to the nightingale's complaining notes, Tune my distresses, and record1 my woes. O thou that dost inhabit in my breast, Leave not the mansion so long tenantless; Lest, growing ruinous, the building fall, And leave no memory of what it was! Repair me with thy presence, Silvia; Thou gentle nymph, cherish thy forlorn swain!What hallooing, and what stir, is this to-day? These are my mates, that make their wills their law, Have some unhappy passenger in chase : They love me well; yet I have much to do To keep them from uncivil outrages. Withdraw thee, Valentine; who's this comes here? [Steps aside. Enter PROTEUS, SILVIA, and JULIA. Pro. Madam, this service I have done for you, [Aside. Love, lend me patience to forbear a while. But, by my coming, I have made you happy. 1 To record anciently signified to sing. |