Obrazy na stronie
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apology and justification for using similitudes. Gold, pearls, and precious stones worth digging for, he thought might fitly be put into an allegory; and truth, even in swaddling clothes, as a sweet laughing babe, might win upon the mind, inform the judgment, make the will submissive, and fill the memory with things pleasant to the imagination. There is refreshing water in. dark clouds, when there is none at all in bright ones; and when their silver drops descend, then the earth yieldeth her ripe harvest. A fisherman goes patiently up and down the river-side, and engages all his wits to catch a few nibbles, with snares, lines, angles, hooks and nets; all stratagems he uses for the silly fish. So doth the fowler for the birds; one can scarce name the variety of his means, his gun, his nets, his line-twigs, light and bell; one can scarce tell the variety of his postures; he creeps, he goes, he stands, he pipes and whistles. So shall he, who wisely seeks to catch men, speak dialogue-wise, parable-wise, in prose and poetry, in figures, metaphors, and meaning fables; in cunning cabinets and mantles he shall enclose truth's golden beams; he shall set his apples of gold in pictures of silver.

Yea, let Truth be free
To make her sallies upon thee and me,
Which way it pleases God.

So Bunyan thought, and would not check the varity of his fancies, though some would-be critics laughed at their simplicity, and some were offended at their novelty. Yet he knew he might write in such a method, and not miss his end, which was

the good of his readers; and so he wrote, and so he published, committing all to God. The close of his preface is very beautiful, and would to God that every man who reads, might, according to Bunyan's directions, lay the book, the head. and the heart together, and so follow the pilgrim from the City of Destruction to the City of Immanuel!

This book will make a traveller of thee,
If by its counsel thou wilt ruled be;
It will direct thee to the holy land,
If thou wilt its directions understand;
Yea, it will make the slothful active be;
The blind also delightful things to see.

Art thou for something rare and profitable?
Or wouldst thou see a truth within a fable?
Art thou forgetful? or wouldst thou remember
From new-year's day to the last of December?
Then read my fancies; they will stick like burrs,
And may be to the helpless comforters.
This book is wrote in such a dialect,

As may the minds of listless men affect:
It seems a novelty, and yet contains

Nothing but sound and honest gospel strains.

Wouldst thou divert thyself from melancholy?
Wouldst thou be pleasant, yet be far from folly?
Wouldst thou read riddles, and their explanation?
Or else be drowned in thy contemplation?
Dost thou love picking meat? or wouldst thou see
A man i' th' clouds, and hear him speak to thee?
Wouldst thou be in a dream, and yet not sleep?
Or, wouldst thou in a moment laugh and weep?
Or, wouldst thou lose thyself, and catch no harm;

And find thyself again without a charm?

Wouldst read thyself, and read thou know'st not what,

And yet know whether thou art bless'd or not,

By reading the same lines? O, then come hither!
And lay my book, thy head and heart together.

A great characteristic of original genius, perhaps its greatest proof, and one which Bunyan possessed in common with Shakspeare, is its spontaneous exertion; the evidence of having written without labor, and without the consciousness of doing any thing remarkable, or the ambitious aim of perform

ing a great work. The thought, "How will this please?" has little or no power as a motive, nor is it suggested to such minds: the greatest efforts of genius seem as natural to it, as it is for common men to breathe. In this view, Bunyan's work comes nearer to the inspired poetry of the Hebrews in its character, than any other human composition. He wrote from the impulse of his genius, sanctified and illuminated by a heavenly influence; and its movements were as artless as the movements of a little child left to play upon the green by itself; as if, indeed, he had exerted no voluntary supervision whatever over its exercise. Every thing is as natural and unconstrained, as if there had been no other breather in this world but himself, no being, to whose inspection the work he was producing could ever possibly be exhibited, and no rule or model, with which it could ever be compared.

We can imagine this suffering Christian and unconscious Poet in the gloom of his prison, solacing his mind with his own visions, as they came in, one after another, like heavenly pictures, to his imagination. They were so pleasant, that he could not but give them reality, and when he found how they accumulated, the first did the IDEAL of the Pilgrim's Progress rise before his view. Then did he, with the pervading, informing, and transfusing power of genius, melt the materials and mould them into shape. He put the pictures into one grand allegory, with the meaning of heaven shining over the whole, and a separate interest and beauty in every separate part. It is an allegory conducted with

such symmetry and faithfulness, that it never tires in its examination, but discloses continually new meaning to the mind, and speaks to the heart of the Pilgrim volumes of mingled encouragement, warning, and instruction.

And how precious is the volume, which thus stores the nursery as well as the shelves of the theologian, with wholesome learning; which brings the divinest mysteries of grace into the quick conscience and soft heart of childhood, even before the understanding is prepared to receive and ponder their grave teachings! This is the point of Cowper's beautiful apostrophe to Bunyan.

O thou, whom, borne on fancy's eager wing,
Back to the season of life's happy spring,
I pleased remember, and while memory yet
Holds fast her office here, can ne'er forget;
Ingenious Dreamer! in whose well-told tale,
Sweet fiction and sweet truth alike prevail;
Whose humorous vein, strong sense, and simple style,
May teach the gayest, make the gravest smile;
Witty, and well employed, and like thy Lord,
Speaking in parables his slighted word;
I name thee not, lest so despised a name
Should move a sneer at thy deserved fame.
Yet e'en in transitory life's late day,
That mingles all my brown with sober gray,
Revere the man, whose Pilgrim marks the road
And guides the Progress of the soul to God;
"Twere well with most, if books that could engage
Their childhood, pleased them at a riper age;
The man, approving what had charmed the boy,
Would die at last in comfort, peace, and joy;
And not with curses on his heart, who stole
The gem of truth from his unguarded soul.

PROVIDENCE, GRACE,

AND GENIUS,

IN BUNYAN AND THE PILGRIM'S PROGRESS.

Illustrations of Divine Providence in selecting Bunyan to write the Pilgrim's Progress.-Weak things chosen to confound the mighty.-The Author of the Pilgrim's Progress selected not from the Establishment, but from without it.-Signal rebuke of ecclesiastical exclusiveness and hierarchical pretensions, in the Pilgrim's Progress and the Saint's Rest.-More of Bunyan's Divine Emblems.-Bunyan's release from prison. His release from life, and entrance into the Celestial City.-Dr. Scott's opinion of the Pilgrim's Progress.-Its entire freedom from Sectarianism.— Its universality both in genius and piety.-Comparison between Bunyan's Pilgrim's Progress, and Edwards on the Religious Affections.-Bunyan and Spenser.-Survey of the Events, Characters, and Scenery in the Pilgrim's Progress.-The splendor of its conclusion.

WE meet in the life of Bunyan some of the most remarkable illustrations to be found any where on record, of the manner in which God hath chosen the weak things of the world to confound the mighty, and base things of the world, and things which are despised, and things which are not, to bring to nought things that are; to abase the pride, and rebuke the pretensions of all human glory. Bunyan's preaching, which was the means of the conversion of so many souls, how utterly despised and counted like insanity was it, by all the wise, the noble, the esteemed of this world! And Bunyan's Allegory, when it first appeared,

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