Telling Tragedy: Narrative Technique in Aeschylus, Sophocles, and EuripidesGreek tragedy stages stories - ones already thoroughly familiar to their original audiences. Using recent narrative theory, this book explores the narrative strategies that sustain the complex relationship between the tragic poet and his sophisticated audience. It discusses how these sprawling stories were typically shaped by Aeschylus into suspenseful dramatic form; and then, once narrative patterns had become established, how these patterns were successively adapted, subverted, capped or ignored by Sophocles and Euripides in the annual attempt to recreate suspense and express fresh meanings relevant to the difficult last decades of the fifth century. |
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Spis treści
Introduction | 1 |
Theoretical aspects | 9 |
Narrative time in tragedy | 21 |
Prawa autorskie | |
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Telling Tragedy: Narrative Technique in Aeschylus, Sophocles and Euripides Barbara Goward Podgląd niedostępny - 2004 |
Kluczowe wyrazy i wyrażenia
acting action Aeschylus Agamemnon already ambiguous Apollo appears audience authority become begins characters chorus closing comes communication complex continuous create death deceit describe detail developed Dionysus direct discussion disguise divine dolos drama dream earlier effect Electra elements emotional entire Eteocles Euripides example expect expression fact false figures final function future given gives gods Helen Heracles Hippolytus Homer human idea immediate important initially interpretation Iphigeneia kind knowledge later lines lyric meaning messenger murder narrative narrator Neoptolemus Odysseus Oedipus offer opening oracle Orestes outcome past perhaps Persians Philoctetes play plot poet position possible prediction present produces prologue Prometheus prophecy question recognition reference role scene seems sense sequence shows significant situation Sophocles speak speech stage stage figures story structure suggests takes tells traditional tragedy tragic turn understanding Zeus