Essays on the Nature and Principles of Taste, Tom 1Cummings and Hilliard, 1812 - 434 |
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Strona iii
... human knowledge , and the emotions themselves afford one of the most extensive sour- ces of human delight . They occur to us , amid every variety of EXTERNAL Scenery , and among many diversities of disposition and affection in the MIND ...
... human knowledge , and the emotions themselves afford one of the most extensive sour- ces of human delight . They occur to us , amid every variety of EXTERNAL Scenery , and among many diversities of disposition and affection in the MIND ...
Strona vii
... human feeling ; and from the examination of this preliminary question , I was led gradually to conclusions which seemed not only to me , but to others , whose opinion I value far more than my own , of an importance not unworthy of being ...
... human feeling ; and from the examination of this preliminary question , I was led gradually to conclusions which seemed not only to me , but to others , whose opinion I value far more than my own , of an importance not unworthy of being ...
Strona 13
... human HAPPINESS , and the exaltation of human CHARACTER . I feel it incumbent on me , however , to inform my read- ers , that I am to employ , in these inquiries , a different kind of evidence from what has usually been employed by ...
... human HAPPINESS , and the exaltation of human CHARACTER . I feel it incumbent on me , however , to inform my read- ers , that I am to employ , in these inquiries , a different kind of evidence from what has usually been employed by ...
Strona 15
... human voice SECT . II . Of composed sounds , or music , CHAP . III . Of the sublimity and beauty of the objects · of sight , SECT . I. Of colours , CHAP . IV . Of forms , SECT . I. Of the natural sublimity and beauty of forms . Part I ...
... human voice SECT . II . Of composed sounds , or music , CHAP . III . Of the sublimity and beauty of the objects · of sight , SECT . I. Of colours , CHAP . IV . Of forms , SECT . I. Of the natural sublimity and beauty of forms . Part I ...
Strona 16
... human countenance and SECT . I. Introductory , 234 235 265 303 ibid 310 form . 315 SECT . II . Of the human countenance , 317 Part I. Part II . Of the colours of the countenance , Of the features of the human counte- ibid nance , 329 ...
... human countenance and SECT . I. Introductory , 234 235 265 303 ibid 310 form . 315 SECT . II . Of the human countenance , 317 Part I. Part II . Of the colours of the countenance , Of the features of the human counte- ibid nance , 329 ...
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Kluczowe wyrazy i wyrażenia
2dly accordingly admiration altogether amid animals appear arises artist asso associations attend attitude or gesture beau beautiful form beauty of forms beauty or sublimity cause character cheerful circumstances colours common composition composition of sounds connexion considered constitution contrary degree delicacy delight dispositions distinguished effect emotion of beauty emotions of sublimity emotions of taste excite experience expres feel felt fitness gaiety Georgics grace greater human countenance human form human voice ideas illustrations images imitation instance kind language mankind manner melancholy musical composition nature objects observation obvious opinion original painful particular passions peculiar perceive perhaps permanent pleasing or interesting pleasure poet poetry pression principle produce the emotions proportion propriety qualities of mind reader regard relation rusal scene scenery seems sense sensibility significant signs similar simple emotion sion sounds species sublimity and beauty sublimity or beauty tion tone trains of thought ture uniformity variety
Popularne fragmenty
Strona 119 - Now entertain conjecture of a time, When creeping murmur, and the poring dark, Fills the wide vessel of the universe. From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch...
Strona 89 - The pipe of early shepherd dim descried In the lone valley ; echoing far and wide The clamorous horn along the cliffs above ; The hollow murmur of the ocean-tide ; The hum of bees, the linnet's lay of love, And the full choir that wakes the universal grove.
Strona 89 - The current, that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage; But, when his fair course is not hindered, He makes sweet music with the enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage, And so by many winding nooks he strays, With willing sport, to- the wild ocean.
Strona 39 - The sober herd that lowed to meet their young, The noisy geese that gabbled o'er the pool, The playful children just let loose from school , The watchdog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind...
Strona 43 - Ocean itself no longer can resist The binding fury; but, in all its rage Of tempest, taken by the boundless frost, Is many a fathom to the bottom chained, And bid to roar no more...
Strona 46 - Though rooted deep as high, and sturdiest oaks, Bow'd their stiff necks, loaden with stormy blasts, Or torn up sheer.
Strona 39 - The mingling notes came soften'd from below ; The swain responsive as the milk-maid sung, The sober herd that low'd to meet their young ; The noisy geese that gabbled o'er the pool, The playful children just let loose from school ; The...
Strona 118 - And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord ; but the Lord was not in the wind : and after the wind an earthquake ; but the Lord was not in the earthquake: And after the earthquake a fire ; but the Lord was not in the fire: and after the fire a still small voice. And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came...
Strona 119 - The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch: Fire answers fire; and through their paly flames Each battle sees the other's umber'd face: Steed threatens steed, in high and boastful neighs Piercing the night's dull ear; and from the tents, The armourers, accomplishing the knights, With busy hammers closing rivets up, Give dreadful note of preparation.
Strona 410 - We are disgusted with that clamorous grief, which, without any delicacy, calls upon our compassion with sighs and tears, and importunate lamentations. But we reverence that reserved, that silent and majestic sorrow, which discovers itself only in the swelling of the eyes, in the quivering of the lips and cheeks, and in the distant, but affecting, coldness of the whole behaviour. It imposes the like silence upon us.