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GENTLEMAN'S MAGAZINE.

JULY, 1841.

BY SYLVANUS URBAN, GENT.

CONTENTS.

PAGE

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63-66

Architecture at the Exhibition, 67.-Sales of the Lucca Gallery, the Mar-
quess Camden's Pictures, &c.

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78-81

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Promotions and Preferments, 87.-Births, Marriages
OBITUARY; with Memoirs of the Earl of Belmore; the Princess Charlotte
of Rohan-Rochefort; Right Hon. Sir R. J. Wilmot-Horton; Rear-Adm.
Sir P. B. V. Broke, Bart.; Lt. -Col. M'Grigor; Sir Joseph Huddart; Sir
John Richardson; Joseph Chitty, Esq.; H. M. Dyer, Esq.; Thomas
Barnes, Esq.; T. Barber Beaumont, Esq.; Sir David Wilkie; Alexander
Day, Esq.; Mr. Christopher Tate; Mr. Wilks, and John Williams, Esq. 90-104
CLERGY DECEAsed, 104.-Deaths, arranged in counties ........
104
Bill of Mortality-Markets-Prices of Shares, 111; Meteorological Diary-Stocks 112
Embellished with Views of the Interior of the MAUSOLEUM AT BELVOIR CASTLE ;
and of GARSINGTON SCHOOLHOUSE, Oxfordshire.

....

MINOR CORRESPONDENCE.

John Stafford, LL.D. was made Bishop of Bath and Wells in 1425, and translated to Canterbury in 1443, and died in 1452. Cassan, in his Lives of the Bishops of Bath and Wells, p. 212, says that he was the 9th son of Humphrey de Stafford, 6th Earl of Stafford, who was created Duke of Buckingham 14 Sept. 1444. This is impossible; for Duke Humphrey was only one year old at the death of his father, Edmund, the 5th Earl, who was killed at the battle of Shrewsbury in 1403, and did not prove his age and obtain livery of his lands till the 2 Hen. 6, 1423 or 4. Duke Humphrey's youngest son's name was John, but he was created Earl of Wiltshire 5 Jan. 1470, and was K.G. Neither could the Archbishop be brother to the Duke, unless we suppose him to have been made Bishop of Bath and Wells at the age of 20 or 21, which is very improbable; and besides this, the Peerages give no account of any other son of the 5th Earl, except Humphrey, the 1st Duke. Can any of your Correspondents inform me what was the exact relationship of the Archbishop to the noble family of Stafford ? D.A.Y.

A. H. S. in answer to T.'s "Query for Heralds" (May Mag. p. 450), sends the following extract from Berry's Encyclopedia of Heraldry (article Quartering), although he doubts whether that work can be considered a legitimate authority: "Where a lady becomes an heiress, or coheiress, to her mother (which cannot be unless the mother was herself an heiress, or coheiress,) and not to her father, which sometimes happens, by the father marry ing a second wife, and having male issue to represent him, she is entitled to her mother's inheritance, and bears a maternal coat, with the arms of her father on a canton, taking all the quarterings which her mother, by descent, was entitled to; and when married, her husband bears the whole on an escotcheon of pretence, and the issue of such marriage, after her death, take them as quarterings; for it should be particularly noted, that neither men marrying heiresses, or coheiresses, expectant, nor the issue of such, can bear arms in this manner." T. has searched with much attention the works of Gwillim, Nisbet, and Edmondson for corroboration and confirmation of the foregoing rule, but is unable to find any notice taken of

this particular case. They appear to be the words of some old author.

W. L. W. in answer to the same query, is "inclined to think that the arms of the daughter and heiress of the first wife are to be impaled with those of her husband, not borne on an escutcheon of pretence; inasmuch as though the daughter be the heiress of her mother, (who was also an heiress,) and consequently is entitled to quarter her mother's arms with those of her father, yet not being the heiress of her father, her husband has no right, I think, to bear her arms on an escutcheon of pretence. If this opinion be correct, then her arms are to be thus blazoned with her husband's: Quarterly, 1st and 4th the father's arms, and the 2nd and 3rd the mother's."-In our opinion, this answer is the more correct, at least in modern practice; but the due course in these matters is to apply to the Officers of Arms, who have a sort of prerogative to arrange the matter of quarterings at their will, under sanction of licenses from the Crown, procured in accordance with their arrangements.

CIVIS CORCAGIENSIS, in looking over Darley's Treatise on Homer, finds an assertion that Ulysses and Diomedes were the only persons mentioned in the Iliad as having ridden on horseback. The expression alluded to in support of this opinion is ἵππων ἐπεβήσατο (Iliad, Κ. 514.) Now, I think this can hardly be

understood to mean that Diomedes rode on horseback ; for, 1st, ἵππων ἐπεβήσατο and ἵππων αποβάντες are often used to signify the act of mounting or dismounting from a chariot: for instance, F, 265; 2ndly, the word wv, being plural, would cause us to infer that Diomedes rode the two horses; 3rdly, Ulysses is represented as beating the horses with his bow, and again, in verse 527, it is said that Οδυσεὺς μὲν ἔρύξε . . . ὠκέας ἵππους. What was Diomedes such an infant as not to be able to beat or restrain his horse when he wished? In line 529 the words ἵππων ἐπεβήσατo again occur, and in the next line Μαστίξεν δ' ἵππους, which cerbeat the tainly mean that Diomedes horses; but Barnes says, that in one MS. he found Μάστιξεν δ' Οδυσεύς, which reading Clarke in a note approves of, although he gives the former in his text, as he says that the repetition of immovs is inelegant.

MAGAZINE.

GENTLEMAN'S

Memoirs of Edward Alleyn, Founder of Dulwich College, &c.
By J. P. Collier, Esq. F.S.A. 8vo.

THE Shakespeare Society has made a good commencement in the present volume. Edward Alleyn, the subject of the memoir, has left a distinguished name as founder of one of the most richly endowed charitable institutions in the country, deriving no little additional claim to our interest, as being connected, first through him, and afterwards by reason of the manuscript records which it possesses, with our dramatic literature; and when, above all, we find, from Mr. Collier's announcement in the title page, that his volume contains new particulars of Ben Jonson and his contemporaries, and even of Shakspere himself, we need nothing more to excite our curiosity or to assure us of the value of the materials which have been for the first time collected and made public by the liberality of the Master and Fellows of the College, to whom Mr. Collier expresses his obligations, and with whom the lovers of our old poetry (one great and vigorous branch of which is here illustrated with many curious and novel details) will unanimously join. The papers of Alleyn's family preserved in Dalwich College had never been thoroughly examined, though Malone had them in his possession for some time, and published some extracts from them, as Mr. Lysons did others in his Environs of London. Mr. Collier's intimate knowledge of dramatic literature has enabled him to draw from them many curious facts that would have escaped others; and also to make sound and reasonable inferences where the facts themselves have been imperfectly detailed.

Edward Alleyn, the founder of Dulwich College, was born on the 1st September 1566, in the parish of St. Botolph without Bishopsgate. His grandfather was Thomas Alleyn of Willen, in Buckinghamshire, and of Mesham, in Bedfordshire. His father, Edward Alleyn, was the second son, who married Margaret, daughter of John Towneley, Esq. of Towneley, in Lancashire. He is described, in 1556, as Edward Alleyn of London, Yeoman; in his will, dated Sept. 1570, he is called "Citizen and Innholder." He died possessed of lands and tenements, which he left to his widow for life, and afterwards to his children, while his "goods, leases, and ready money" were to be equally divided between them. The subject of the present memoir was only four years old when his father died, and his mother married subsequently a person of the name of Browne, who united the occupations of haberdasher and actor. His father-in-law probably brought up young Alleyn to the profession of a player, and Fuller says that "Edward Alleyn having been born in the parish of St. Botolph, near Devonshire House, where now is the sign of the Pye, was bred a stage player, and became the Roscius of our age, so acting to the life that he made any part, especially a majestic one, to become him.'"* John

* See Fuller's Worthies, ii. 8vo. ed. 1811.

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