British Critic, Quarterly Theological Review, and Ecclesiastical Record, Tom 25F. and C. Rivington, 1805 |
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Strona 65
... Scale and Syftem of Modulation . Then follow the three firit games above - mentioned . vi . Of Chords . VII . Of Cyphering , and the Inverfion of Chords . Of Cadences . VIII . On the Rule of Octave , or Harmony of major or minor Scales ...
... Scale and Syftem of Modulation . Then follow the three firit games above - mentioned . vi . Of Chords . VII . Of Cyphering , and the Inverfion of Chords . Of Cadences . VIII . On the Rule of Octave , or Harmony of major or minor Scales ...
Strona 67
... scale , retain the proper 6th of that scale , viz . the minor 6th , or femitone above the 5th , while at the fame time we use the major 7th , or take for that degree the femitone below the 8ve ; and we may play it in this manner de ...
... scale , retain the proper 6th of that scale , viz . the minor 6th , or femitone above the 5th , while at the fame time we use the major 7th , or take for that degree the femitone below the 8ve ; and we may play it in this manner de ...
Strona 69
... scale , in which the dif- cord is an added 7th . To this last , the term fubdominant chord , has by fome authors been appropriated ; and it has been called the minor chord of the 7th ; as the dominant chord , above treated of , has been ...
... scale , in which the dif- cord is an added 7th . To this last , the term fubdominant chord , has by fome authors been appropriated ; and it has been called the minor chord of the 7th ; as the dominant chord , above treated of , has been ...
Strona 70
... scale , we find the difcord of tritone , or its inverfion the false 5th , fubfisting between f and b , the minor 3d and added 6th of the chord , which notes are respectively the minor 6th and 2d of the fcale . The third pofition has the ...
... scale , we find the difcord of tritone , or its inverfion the false 5th , fubfisting between f and b , the minor 3d and added 6th of the chord , which notes are respectively the minor 6th and 2d of the fcale . The third pofition has the ...
Strona 71
... scale . In the first , the chords are commonly in their erect forms ; in the fecond , fome of them muft neceffarily be in in- verted forms . " P. 159 . We are not only heartily inclined to fubfcribe to this theory , but are convinced by ...
... scale . In the first , the chords are commonly in their erect forms ; in the fecond , fome of them muft neceffarily be in in- verted forms . " P. 159 . We are not only heartily inclined to fubfcribe to this theory , but are convinced by ...
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