Performing Race and Torture on the Early Modern StageRoutledge, 13 wrz 2013 - 192 Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances. |
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... never find; No pains, no tortures shall unlock my mind. CHRISTIAN PRIEST Pull harder yet; he does not feel the rack.2 Dryden's Indian Emperour contains all of the “brutal” and “active fatuousness” that Artaud sought to highlight. The ...
... never stipulated how his Montezuma would perform his Indian-ness in The Conquest of Mexico. Artaud left the performance of race untheorized. And finally and perhaps more fundamentally, if the seventeenth and twentieth centuries are ...
... never able to correct for the fundamental unreliability of coerced evidence.... History's important lesson is that it has not been possible to make coercion compatible with truth.”9 Similarly, John Conroy, in his recent book Unspeakable ...
... never constructed solely out of a preoccupation with hidden interiority. Instead, it reveals that when torture was discussed, there was always a preoccupation with a notion of foreignness. Legal historians from the early modern period ...
... never described in a material way. Depictions of torture, on the other hand, provide a body for surveillance. Where the actual employment of torture conceals the victim's body, depictions of torture reveal that body. Once one ...
Spis treści
A Matter that is No Matter Religion Color and the White Actress in The Empress | |
When Race is Colored Abjection and Racial Characterization in Titus Andronicus | |
Racializing Civility The Indian Emperour or The Conquest of Mexico by | |
or The Cruelties of the Dutch to the English | |
Combating Historical Amnesia On the Images of Prisoner Abuse from Abu Ghraib | |
Notes | |
Bibliography | |