Shakespeare's Noise

Przednia okładka
University of Chicago Press, 2001 - 282
"You common cry of curs! whose breath I hate / As reek o'th'rotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you!" (from Coriolanus)

Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England.

Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors.

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Spis treści

The Rumor of Hamlet
10
The Book of the Slanderer
33
A Disturbance of Hearing in Vienna
68
Denigration and Hallucination in Othello
102
War Noise
131
King Lear and the Register of Curse
161
An Imaginary Theater
193
Notes
209
Index
275
Prawa autorskie

Inne wydania - Wyświetl wszystko

Kluczowe wyrazy i wyrażenia

Informacje o autorze (2001)

Kenneth Gross 's books include The Dream of the Moving Statue, Shakespeare's Noise, Shylock is Shakespeare, and Puppet: An Essay on Uncanny Life, which won the George Jean Nathan Award for Dramatic Criticism. A former fellow of the Guggenheim and Bogliasco Foundations, the Folger Shakespeare Library, the Bellagio Study Center, and the American Academy in Berlin, he teaches English at the University of Rochester. His personal website is kennethgross.me.

Informacje bibliograficzne