Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 8
... tion of the tree , that is , to the Platonic idea of a tree . Love tends to the perfect Platonic love . Matter , for Aristotle , is pure poten- tial , and form is pure act ; the movement of things toward perfec- tion is therefore what ...
... tion of the tree , that is , to the Platonic idea of a tree . Love tends to the perfect Platonic love . Matter , for Aristotle , is pure poten- tial , and form is pure act ; the movement of things toward perfec- tion is therefore what ...
Strona 84
... tion of the word : a film with many characters , many horses , gun- fire , combat , and occasionally some love scenes , in the midst of deaths , blood , rape , and violence , in a package appropriate for an audience of eight years or ...
... tion of the word : a film with many characters , many horses , gun- fire , combat , and occasionally some love scenes , in the midst of deaths , blood , rape , and violence , in a package appropriate for an audience of eight years or ...
Strona 84
... tion of the word : a film with many characters , many horses , gun- fire , combat , and occasionally some love scenes , in the midst of deaths , blood , rape , and violence , in a package appropriate for an audience of eight years or ...
... tion of the word : a film with many characters , many horses , gun- fire , combat , and occasionally some love scenes , in the midst of deaths , blood , rape , and violence , in a package appropriate for an audience of eight years or ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi