Musica Poetica: Musical-Rhetorical Figures in German Baroque MusicU of Nebraska Press, 1 lip 1997 - 471 Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music. |
Spis treści
3 | |
THE EMERGENCE OF A GERMAN BAROQUE MUSIC | 10 |
THE CONCEPT OF THE AFFECTIONS IN GERMAN BAROQUE MUSIC | 29 |
PRINCIPLES OF RHETORIC IN GERMAN BAROQUE MUSIC | 57 |
TREATISES AND SOURCES | 91 |
JOACHIM BURMEISTER | 93 |
JOHANNES NUCIUS | 99 |
JOACHIM THURINGUS | 103 |
JOHANN GOTTFRIED WALTHER | 131 |
JOHANN MATTHESON | 136 |
MEINRAD SPIESS | 144 |
JOHANN ADOLF SCHEIBE | 148 |
JOHANN NlKOLAUS FORKEL | 156 |
DEFINITIONS AND TRANSLATIONS OF THE MUSICALRHETORICAL FIGURES | 165 |
DEFINITIONS AND TRANSLATIONS | 167 |
APPENDIX 1 SUMMARY OF FIGURE DEFINITIONS | 439 |
ATHANASIUS KIRCHER | 106 |
ELIAS WALTHER | 111 |
CHRISTOPH BERNHARD | 112 |
WOLFGANG CASPAR PRINTZ | 119 |
JOHANN GEORG AHLE | 122 |
TOMAS BALTAZAR JANOVKA | 125 |
MAURITIUS JOHANN VOGT | 127 |
SUMMARY OF FIGURES BY CATEGORY | 444 |
LIST OF FIGURES BY AUTHOR | 448 |
SUMMARY OF FIGURES BY AUTHOR | 453 |
458 | |
466 | |
Inne wydania - Wyświetl wszystko
Musica Poetica: Musical-rhetorical Figures in German Baroque Music Dietrich Bartel Podgląd niedostępny - 1997 |
Kluczowe wyrazy i wyrażenia
abruptio accentus affections Ahle anadiplosis anaphora andere anticipatio aposiopesis Baroque music Bernhard Burmeister Burmeister's called Capellmeister climax commissura composer concept consonance defined definition diminutio discussion dissonance distributio einander ellipsis embellishments emphasis epanalepsis epanodos epistrophe epizeuxis example exclamatio faux bourdon figurae simplices Figuren Figurenlehre Forkel fuga fugal fugue German Gottsched gradatio groppo harmoniae heisset homoioptoton hypallage hyperbaton hypotyposis Ibid imitation intervals Janovka Kircher Mattheson melody metalepsis mimesis mode music and rhetoric musica poetica musical composition musical devices musical expression musical figures musical passage musical-rhetorical figures muß Musurgia noema Noten Nucius numerous occurs oration ornamental paragoge paronomasia parrhesia pathopoeia pausa pitch polyptoton polysyndeton principales Printz quae Quintilian refers repetitio repetition retardatio rhetorical figures Satz Scheibe seyn signifies specific Spiess Stimme stylus subsumptio Susenbrotus Epitome symblema syncopated syncopatio tactus term terminology theils Thuringus tion tirata tmesis Tractatus transitus treatises trillo variatio viel Vogt voice Walther Lexicon words
Popularne fragmenty
Strona 5 - A person who does not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.