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He had told his truth, which was one of the possible truths. The Chorus anxiously
asked: "What now? So what do we do?" Nobody knew. "Can we or can't we? Do
we cut it or don't we? We like it, but the big boss over there didn't seem to like it ...
mon to all mankind or to nationality — eternal powers, moral truths such as love,
filial love, patriotism, etc. . . . In this way, Hegel succeeds in making the character
embody an ethical principle, and his freedom consists only in giving that ...
This myth no doubt hides a truth: the landlord took possession of what did not
belong to him. If formerly the noblemen attributed to God the granting of their
property and rights, today explanations no less magical are still used. In this case
, the ...
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Aristotles Coercive System of Tragedy
Machiavelli and the Poetics of Virtu
The Character as Subject or
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