Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 125
... theatrical vocabulary is the human body , the main source of sound and movement . Therefore , to control the means of theatrical produc- tion , man must , first of all , control his own body , know his own body , in order to be capable ...
... theatrical vocabulary is the human body , the main source of sound and movement . Therefore , to control the means of theatrical produc- tion , man must , first of all , control his own body , know his own body , in order to be capable ...
Strona 141
... theatrical practice . If the audi- ence had come to the conclusion that it was necessary to dyna- mite all the fish meal factories in Chimbote , this would also be right from their point of view . It is not the place of the theater to ...
... theatrical practice . If the audi- ence had come to the conclusion that it was necessary to dyna- mite all the fish meal factories in Chimbote , this would also be right from their point of view . It is not the place of the theater to ...
Strona 186
... theatrical resources . In Days Without End the presence of two actors for the role of John Loving proved to be necessary : one interpreted John , the visible part of his personality , and the other interpreted Loving , his inner life ...
... theatrical resources . In Days Without End the presence of two actors for the role of John Loving proved to be necessary : one interpreted John , the visible part of his personality , and the other interpreted Loving , his inner life ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi