Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 37
... spectator will also accept as bad his own hamartia . But the spectator has the great advantage of having erred only vicariously : he does not really pay for it . Finally , so that the spectator will keep in mind the terrible ...
... spectator will also accept as bad his own hamartia . But the spectator has the great advantage of having erred only vicariously : he does not really pay for it . Finally , so that the spectator will keep in mind the terrible ...
Strona 122
... spectator delegates power to the dramatic character so that the latter may act and think for him . Brecht proposes a poetics in which the spectator delegates power to the character who thus acts in his place but the spectator reserves ...
... spectator delegates power to the dramatic character so that the latter may act and think for him . Brecht proposes a poetics in which the spectator delegates power to the character who thus acts in his place but the spectator reserves ...
Strona 155
... spectators . All these experiments of a people's theater have the same objec- tive the liberation of the spectator , on whom the theater has imposed finished visions of the world . And since those responsi- ble for theatrical ...
... spectators . All these experiments of a people's theater have the same objec- tive the liberation of the spectator , on whom the theater has imposed finished visions of the world . And since those responsi- ble for theatrical ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi