Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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... performance gains in theatricality if the person who proposed the theme is present in the audience . Having begun the scene , the actors develop it to the point at which the main prob- lem reaches a crisis and needs a solution . Then ...
... performance gains in theatricality if the person who proposed the theme is present in the audience . Having begun the scene , the actors develop it to the point at which the main prob- lem reaches a crisis and needs a solution . Then ...
Strona 174
... performance , both of the play and its analysis . Obviously , the staging of any play already includes its own ana- lytical criteria . For example , no two performances of Don Juan are alike , even though they are based on the same text ...
... performance , both of the play and its analysis . Obviously , the staging of any play already includes its own ana- lytical criteria . For example , no two performances of Don Juan are alike , even though they are based on the same text ...
Strona 184
... performance " for all plays . This structure is divided in seven main parts : dedica- tion , explanation , episode , scene , commentary , interview , and exhortation . Every performance will begin always with a dedication to a person or ...
... performance " for all plays . This structure is divided in seven main parts : dedica- tion , explanation , episode , scene , commentary , interview , and exhortation . Every performance will begin always with a dedication to a person or ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi