Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 86
... objective fact itself in its objectivity . " ' 3 In telling how this or that battle developed , the epic poet must describe the battle with the maximum of objective details possible , without concerning himself with his particular ...
... objective fact itself in its objectivity . " ' 3 In telling how this or that battle developed , the epic poet must describe the battle with the maximum of objective details possible , without concerning himself with his particular ...
Strona 87
... objective exposition , but also can trace its source in the ideal life of particular people ; what is objec- tive here is therefore portrayed as appertinent to the conscious life of individuals . " The action is presented not as it is ...
... objective exposition , but also can trace its source in the ideal life of particular people ; what is objec- tive here is therefore portrayed as appertinent to the conscious life of individuals . " The action is presented not as it is ...
Strona 110
... objective ( epic ) , the subjective ( lyrical ) , or an equilibrium of the two ( dramatic ) . In the latter case , it is obvi- ous that characters such as Mother Courage , Señora Carrar , Galileo Galilei , Mauler , and other " dramatic ...
... objective ( epic ) , the subjective ( lyrical ) , or an equilibrium of the two ( dramatic ) . In the latter case , it is obvi- ous that characters such as Mother Courage , Señora Carrar , Galileo Galilei , Mauler , and other " dramatic ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi