Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 5
... movements of Achilles and the turtle are not interdependent or discontinuous : Achilles does not first gain one part ... movement is precisely the passing from one place to another , and not a sequence of acts in different places . Logos ...
... movements of Achilles and the turtle are not interdependent or discontinuous : Achilles does not first gain one part ... movement is precisely the passing from one place to another , and not a sequence of acts in different places . Logos ...
Strona 8
... movement which develops matter toward its final form . Therefore , what did " imitate " mean for Aristotle ? To re- create that internal movement of things toward their perfection . Nature was for him this movement itself and not things ...
... movement which develops matter toward its final form . Therefore , what did " imitate " mean for Aristotle ? To re- create that internal movement of things toward their perfection . Nature was for him this movement itself and not things ...
Strona 194
... movement , and at the same time far away from the tortured man . 4 ) Application to one scene of the ritual of another . When one wishes to reveal the class - oriented nature of a certain church at a certain time , the priest - believer ...
... movement , and at the same time far away from the tortured man . 4 ) Application to one scene of the ritual of another . When one wishes to reveal the class - oriented nature of a certain church at a certain time , the priest - believer ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi