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Nowadays heroes are not well thought of. All the new theatrical trends speak ill of
them, from the neoromantic neorealism of recent American Dramaturgy which
delights in dissecting failure and success to the new Brechtianism without Brecht.
Each class, caste, or estate has its own hero, who is nontransferable. Therefore,
the hero of one class will only be understood with the criteria and values of that
class. The oppressed classes will be able to "understand'' the heroes of the ...
But the dominant classes have the habit of "adapting" the heroes of other classes.
Mythicization in these cases consists in obscuring, as if it were only circumstantial
, the essential fact — promoting, on the other hand, the circumstantial ...
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LibraryThing ReviewRecenzja użytkownika - RKC-Drama - LibraryThing
This new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place ... Przeczytaj pełną recenzję
Aristotles Coercive System of Tragedy
Machiavelli and the Poetics of Virtu
The Character as Subject or
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