Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
Z wnętrza książki
Wyniki 1 - 3 z 22
Strona 36
... hamartia ; and even more surprising , one learns that it is by virtue of this same hamartia that the hero has come to his present state of happiness . Through empathy , the same hamartia that the spectator may possess is stimulated ...
... hamartia ; and even more surprising , one learns that it is by virtue of this same hamartia that the hero has come to his present state of happiness . Through empathy , the same hamartia that the spectator may possess is stimulated ...
Strona 37
... hamartia , passing through three clearly defined stages : First Stage : Stimulation of the hamartia ; the character fol- lows an ascending path toward happiness , accompanied empathi- cally by the spectator . Then comes a moment of ...
... hamartia , passing through three clearly defined stages : First Stage : Stimulation of the hamartia ; the character fol- lows an ascending path toward happiness , accompanied empathi- cally by the spectator . Then comes a moment of ...
Strona 201
... hamartia versus hamartia versus the perfect social ethos 41 hamartia versus perfect social ethos 40-1 negative hamartia versus negative social ethos 43-5 negative harmartia versus perfect social ethos 41-3 objective of subjective forces ...
... hamartia versus hamartia versus the perfect social ethos 41 hamartia versus perfect social ethos 40-1 negative hamartia versus negative social ethos 43-5 negative harmartia versus perfect social ethos 41-3 objective of subjective forces ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
Nie pokazano 13 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi