Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 26
... fact explains why marginal observations , of little or no importance , have been taken to be central concepts of Aristotelian thought . For exam- ple , when dealing with Shakespeare or the medieval theater , it is very common to decide ...
... fact explains why marginal observations , of little or no importance , have been taken to be central concepts of Aristotelian thought . For exam- ple , when dealing with Shakespeare or the medieval theater , it is very common to decide ...
Strona 86
... facts in question disclose themselves in free independence , and the poet retires into the background . " It is the ... fact itself in its objectivity . " ' 3 In telling how this or that battle developed , the epic poet must describe ...
... facts in question disclose themselves in free independence , and the poet retires into the background . " It is the ... fact itself in its objectivity . " ' 3 In telling how this or that battle developed , the epic poet must describe ...
Strona 190
... fact we do not doubt for a moment . If the mythicization of Tiradentes had consisted exclusively in the elimination of secondary facts , there would have been no problems . But the dominant classes have the habit of " adapting " the ...
... fact we do not doubt for a moment . If the mythicization of Tiradentes had consisted exclusively in the elimination of secondary facts , there would have been no problems . But the dominant classes have the habit of " adapting " the ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi