Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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... Empathy . From the moment the performance begins , a relationship is established between the character , especially the protagonist , and the spectator . This ... empathy . Empathy makes us feel as if we 34 THEATER OF THE OPPRESSED.
... Empathy . From the moment the performance begins , a relationship is established between the character , especially the protagonist , and the spectator . This ... empathy . Empathy makes us feel as if we 34 THEATER OF THE OPPRESSED.
Strona 35
Augusto Boal. pure empathy . Empathy makes us feel as if we ourselves are experiencing what is actually happening to others . Empathy is an emotional relationship between character and spectator . A relationship which , as Aristotle ...
Augusto Boal. pure empathy . Empathy makes us feel as if we ourselves are experiencing what is actually happening to others . Empathy is an emotional relationship between character and spectator . A relationship which , as Aristotle ...
Strona 102
Augusto Boal. Empathy or What ? Emotion or Reason ? As we have seen in " Aristotle's Coercive System to Tragedy , " empathy is the emotional relationship which is established be- tween the character and spectator and which provokes ...
Augusto Boal. Empathy or What ? Emotion or Reason ? As we have seen in " Aristotle's Coercive System to Tragedy , " empathy is the emotional relationship which is established be- tween the character and spectator and which provokes ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi