Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 29
... emotions of pity and fear , but also to certain " non - social " or socially forbidden instincts . Butcher himself , trying to understand what is the object of the purgation ( that is , of what is one purged ? ) , adds his own belief ...
... emotions of pity and fear , but also to certain " non - social " or socially forbidden instincts . Butcher himself , trying to understand what is the object of the purgation ( that is , of what is one purged ? ) , adds his own belief ...
Strona 102
... emotions it can be realized through many other emotions , too . The only indispensable element in empathy is that the spectator assumes a " passive " attitude , delegating his ability to act . But the emotion or emotions which provoke ...
... emotions it can be realized through many other emotions , too . The only indispensable element in empathy is that the spectator assumes a " passive " attitude , delegating his ability to act . But the emotion or emotions which provoke ...
Strona 162
... emotions , " now the emotions became dialectic processes and the emphasis fell on the " flow of emotions . " " No more lakes , but rather emotional riv- ers , " if I may borrow a metaphor from Mao Tse - tung . The laws of dialectics ...
... emotions , " now the emotions became dialectic processes and the emphasis fell on the " flow of emotions . " " No more lakes , but rather emotional riv- ers , " if I may borrow a metaphor from Mao Tse - tung . The laws of dialectics ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi