Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 26
... , to compare the Greek philosopher to the modern and abundant pro- fessors of dramaturgy , especially the Americans , who are no more than cooks of theatrical menus . They study the 26 THEATER OF THE OPPRESSED The Ultimate Aim of Tragedy.
... , to compare the Greek philosopher to the modern and abundant pro- fessors of dramaturgy , especially the Americans , who are no more than cooks of theatrical menus . They study the 26 THEATER OF THE OPPRESSED The Ultimate Aim of Tragedy.
Strona 132
... dramaturgy : This is the first invi- tation made to the spectator to intervene without necessitating his physical presence on the " stage . " Here it is a question of performing a short scene , of ten to twenty minutes , proposed by a ...
... dramaturgy : This is the first invi- tation made to the spectator to intervene without necessitating his physical presence on the " stage . " Here it is a question of performing a short scene , of ten to twenty minutes , proposed by a ...
Strona 171
... dramaturgy as well as the acting sought above all , the detail . As the " Joker " says in Tiradentes , " works in which they ate spaghetti and made coffee and the audience learned just that : how to make coffee and eat spaghetti ...
... dramaturgy as well as the acting sought above all , the detail . As the " Joker " says in Tiradentes , " works in which they ate spaghetti and made coffee and the audience learned just that : how to make coffee and eat spaghetti ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi