Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Augusto Boal. Different Types of Conflict : Hamartia and Social Ethos As we have seen , Aristotle's coercive system of tragedy requires : a ) the creation of a conflict between the character's ethos and the ethos of the society in which ...
Augusto Boal. Different Types of Conflict : Hamartia and Social Ethos As we have seen , Aristotle's coercive system of tragedy requires : a ) the creation of a conflict between the character's ethos and the ethos of the society in which ...
Strona 95
... conflict of free wills impels the dramatic action ; the structure of the work is a scheme of wills in conflict . 4. It creates empathy , which consists in an emotional compromise of the spectator , depriving him of the possibility of ...
... conflict of free wills impels the dramatic action ; the structure of the work is a scheme of wills in conflict . 4. It creates empathy , which consists in an emotional compromise of the spectator , depriving him of the possibility of ...
Strona 100
... conflict is an in- evitability , a necessity . But while he does indeed speak of neces- sity , it is a necessity of a moral nature . That is , morally the characters cannot avoid being what they are and doing what they do . Brecht , on ...
... conflict is an in- evitability , a necessity . But while he does indeed speak of neces- sity , it is a necessity of a moral nature . That is , morally the characters cannot avoid being what they are and doing what they do . Brecht , on ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi