Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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... concrete fact . Love is a passion once it is expressed as such . As long as it is simply a possibility it will remain a faculty . A passion is an " enacted " faculty , a faculty that becomes a concrete act . Not all passions serve as ...
... concrete fact . Love is a passion once it is expressed as such . As long as it is simply a possibility it will remain a faculty . A passion is an " enacted " faculty , a faculty that becomes a concrete act . Not all passions serve as ...
Strona 61
... concrete circumstances of the real world . The bourgeois owed nothing to his fate or his good fortune , but only to his own virtù . With his virtù he had surmounted all the obstacles which were placed before him by birth , the laws of ...
... concrete circumstances of the real world . The bourgeois owed nothing to his fate or his good fortune , but only to his own virtù . With his virtù he had surmounted all the obstacles which were placed before him by birth , the laws of ...
Strona 74
... concrete form in the exterior world , in real life . Abstract moral values acquire concrete spokesmen , who are the characters . No longer , as in the feudal theater , is Goodness a character called just that , Goodness ; now its name ...
... concrete form in the exterior world , in real life . Abstract moral values acquire concrete spokesmen , who are the characters . No longer , as in the feudal theater , is Goodness a character called just that , Goodness ; now its name ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi