Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 37
Augusto Boal. - follow the character empathically until the moment of the peripeteia and then detach himself at that point . In order to avoid that , the tragic character must also pass through what Aristotle calls anagnorisis that is ...
Augusto Boal. - follow the character empathically until the moment of the peripeteia and then detach himself at that point . In order to avoid that , the tragic character must also pass through what Aristotle calls anagnorisis that is ...
Strona 42
... character is saved , the catastrophe is avoided , and instead a happy end occurs . It is important to note that Aristotle clearly objected to the happy end , but we should note , too , that the coercive character of his whole system is ...
... character is saved , the catastrophe is avoided , and instead a happy end occurs . It is important to note that Aristotle clearly objected to the happy end , but we should note , too , that the coercive character of his whole system is ...
Strona 48
... character who comes to a happy end inspires neither pity nor terror , nor does he create a dynamics : the spectator observes him acting out his destiny , but there is an absence of drama . Likewise , a totally bad character who ends up ...
... character who comes to a happy end inspires neither pity nor terror , nor does he create a dynamics : the spectator observes him acting out his destiny , but there is an absence of drama . Likewise , a totally bad character who ends up ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi