Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 34
... character . Hamartia is the only thing that can and must be destroyed , so that the whole of the character's ethos may conform to the ethos of the society . In this confrontation of tendencies , of ethos , the hamartia causes the ...
... character . Hamartia is the only thing that can and must be destroyed , so that the whole of the character's ethos may conform to the ethos of the society . In this confrontation of tendencies , of ethos , the hamartia causes the ...
Strona 34
... character . Hamartia is the only thing that can and must be destroyed , so that the whole of the character's ethos may conform to the ethos of the society . In this confrontation of tendencies , of ethos , the hamartia causes the ...
... character . Hamartia is the only thing that can and must be destroyed , so that the whole of the character's ethos may conform to the ethos of the society . In this confrontation of tendencies , of ethos , the hamartia causes the ...
Strona 91
... character's nature as subject ; that is , the argument that all ex- terior actions have their origin in the character's free spirit . A Word Poorly Chosen The Marxist poetics of Bertolt Brecht The Character as Subject or the Character ...
... character's nature as subject ; that is , the argument that all ex- terior actions have their origin in the character's free spirit . A Word Poorly Chosen The Marxist poetics of Bertolt Brecht The Character as Subject or the Character ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi