Theater of the OppressedPluto, 2000 - 208 In this classic work on radical drama, Augusto Boal exposes the machinations that the ruling classes exercised on theatre to take control out of the hands of ordinary citizens. He shows how Brechtian and Marxian drama reverses this trend. |
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Strona 37
... anagnorisis that is , through the recognition of his flaw as such and , by means of reasoning , the explanation of it . The hero accepts his error , hoping that , empathically , the spectator will also accept as bad his own hamartia ...
... anagnorisis that is , through the recognition of his flaw as such and , by means of reasoning , the explanation of it . The hero accepts his error , hoping that , empathically , the spectator will also accept as bad his own hamartia ...
Strona 41
... anagnorisis of the character is perhaps not enough to convince the spectator , the tragic author utilizes the direct reasoning of the Chorus , possessor of common sense , moderation , and other qualities . In this case also the ...
... anagnorisis of the character is perhaps not enough to convince the spectator , the tragic author utilizes the direct reasoning of the Chorus , possessor of common sense , moderation , and other qualities . In this case also the ...
Strona 49
... anagnorisis is a fundamental and very important element of the system . It can be the recognition made by the char- acter himself , and thus empathically this recognition is trans- ferred to the spectator . But in any case , the ...
... anagnorisis is a fundamental and very important element of the system . It can be the recognition made by the char- acter himself , and thus empathically this recognition is trans- ferred to the spectator . But in any case , the ...
Spis treści
Aristotles Coercive System of Tragedy | 1 |
Machiavelli and the Poetics of Virtù | 2 |
What does Tragedy Imitate? | 12 |
Prawa autorskie | |
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser art and science artist asked audience Augusto Boal become Bertolt Brecht bourgeois bourgeoisie Brecht catastrophe catharsis character character's characteristics Chorus coercive system concrete conflict created Creon criteria dianoia dramatic action emotions empathy epic epic poetry esthetic ethical example exist feudal function Greek habits hamartia happens happiness Hegel Heraclitus hero human ideas Jacob Bernays Joker laws live Machiavelli masks matter moral movement nature necessary object Oedipus Parmenides participants passions perfect performance peripeteia person pity and fear Plato play poetics poetry political presented protagonist purged rational soul reality reason ritual scene Social Ethos society spectator stage story structure system of tragedy theatrical Thespis things thought Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous behavior woman words Zumbi